Galleries most concerned by staffing issues and rising costs

30 Nov 2022

The leading concerns for art galleries in the UK in the coming year are staffing issues and rising costs, a new survey has revealed.

The Heritage Risk Barometer 2022, published by Ecclesiastical, a specialist heritage insurer, identified the top four concerns over the next 12 months as the recruitment and retention of volunteers (cited by 81% of respondents), increasing costs (78%), recruitment and retention of staff (77%) and crime (77%).

The survey aimed to identify the top risks within the heritage sector, focusing on concerns including the impact of the cost-of-living crisis, the recruitment crisis and responding to climate change. 

Over the next three years, the top concerns for galleries were identified as competition from other types of attraction (79%), political uncertainty and the impact of changing government policy (79%) and the ease of access and adaptation for visitors with additional needs (79%).

In the longest-term outlook, covering the next five years, concerns remained focused on staffing and running costs, with 90% of respondents citing recruitment and retention of volunteers as their biggest concern. 

Other long-term concerns included maintaining and repairing heritage buildings (78%), the impact of the cost-of-living crisis on visitor numbers (76%) and lack of diversity among trustees and management boards (76%). 

“The arts sector is facing unprecedented economic uncertainty as inflation and the cost of living soars,” said Faith Kitchen, Customer Segment Director at Ecclesiastical Insurance. 

“Art galleries are having to face huge challenges and many are looking at ways they can cut costs while still maintaining visitor numbers. We hope the Heritage Risk Barometer 2022 will help art galleries think about the risks they face and how best to protect their organisations for the future.”
 

Grassroots call for radical change

Artists in covid masks painting
28 Nov 2022

New research that identifies how the pandemic heightened artists’ precarity highlights radically different perspectives for healthy arts ecologies in the future, writes Susan Jones

Tate slashes wage bill

Interior of Tate Modern
22 Nov 2022

Tate's annual report highlights lasting impact of pandemic with more than 180 redundancies made to reduce staff costs by a fifth.

My Gurus: ‘Side effects may include outrage, empathy and hope’

Head shot of Jay Price
09 Nov 2022

Each year Shape Arts selects a mid-career disabled artist for the Adam Reynolds Award to support their career. This year's recipient is Jay Price whose practice unashamedly confronts ableism.

Visual artists receive £4.6m royalties

02 Nov 2022

The Design and Artists Copyright Society (DACS) is set to distribute a share of £4.6m in royalties to 96,000 photographers, illustrators, and artists through its annual Payback scheme. 

The scheme pays visual artists and creators annual royalties when their artworks have been published in UK books, magazines, journals or on TV.

Since the scheme's inception in 1999, DACS has distributed more than £70m in payback royalties.

The organisation says to apply for payback, visual artists need to complete their annual claim form between January and April each year.

Those interested in claiming for the first time can register online to be notified when the scheme re-opens in January.

Art galleries ‘prime target’ for criminal activity

24 Oct 2022

Britain’s art galleries are a prime target for criminals, according to research by specialist heritage insurer Ecclesiastical.

According to a poll of 100 galleries, more than four in five (84%) experienced a crime in the last 12 months, with verbal abuse (26%), anti-social behaviour (24%), criminal damage (23%) and theft (23%) the most frequent crimes reported.

The results suggest crime in galleries has increased since Ecclesiastical’s last study in 2021, when 81% of galleries reported crimes.

Four in five galleries (82%) said they are more concerned about crime since the cost-of-living crisis, with almost three quarters (72%) expecting a further increase in crime over the next year.

Galleries reported being proactive about crime prevention. Nearly all (97%) have introduced new measures to protect the organisation and deter criminals during the past 12 months, including CCTV, alarms, security guards and patrols, and additional cyber security.
 
Despite investing in security, 77% of gallery workers said their organisations need to do more to prevent crime.

“There are a number of measures galleries can take to better secure property and assets, which would ideally be a combination of both physical and electronic protection,” said Faith Kitchen, Customer Segment Director at Ecclesiastical.

“Reviewing perimeter security arrangements, ensuring entry points are well lit and secured can often offer a good first line of defence against unwanted visitors, while CCTV can act as a visual deterrent for those not wanting to be caught on camera.”

Edinburgh Film Festival goes out of business

11 Oct 2022

The Edinburgh International Film Festival has been shut down with immediate effect after the charity that runs it, the Centre for the Moving Image (CMI), announced it had ceased trading and called in administrators.

In a statement CMI said the decision was taken as a result of the "perfect storm" of sharply rising costs, in particular energy costs, alongside reduced trade due to the ongoing impacts of the pandemic and the cost-of-living crisis. 

CMI said that even with the recently announced energy price cap for businesses, its energy costs were likely to rise by approximately £200,000 over the next 12 months, and with the price cap only in place for six months, planning beyond March 2023 was "highly uncertain".

"The combination, and scale, of these challenges is unprecedented and means that there was no option but to take immediate action," the statement said.

As a result, Filmhouse Cinema and Café Bar in Edinburgh, Edinburgh International Film Festival and Belmont Filmhouse have all ceased trading immediately with administrators appointed for all entities.

Edinburgh Fringe seeks feedback to drive improvements

30 Sep 2022

Organisers of the Edinburgh Fringe Festival have launched a major feedback exercise as part of attempts to address issues with the annual event.

Edinburgh Festival Fringe Society is seeking input from artists, audiences, venues, producers, workers, community groups, arts industry delegates, media and those with access needs in order to make improvements for 2023.

Over the next two weeks the festival will be inviting views on a range of topics, from the recent Fringe experience to accommodation costs, barriers to participation, and the work of the Fringe Society. 

Responses to the collection of surveys will provide data the festival says will help it bring together the right people and partnerships to work towards solutions. 

Shona McCarthy, Chief Executive of the Edinburgh Festival Fringe Society, said: “This year’s festival was the first step on the road to recovery and we know the biggest challenge is the next three years. 

"It’s important that we gather evidence and case studies from our Fringe participants so that we can ensure the Society is armed with the facts and best equipped to make the case for where improvements can be made in advance of Fringe 2023. 

"We encourage everyone to take time to complete the survey specific to them and to provide as much information as they can.”

What do teachers want from museums? 

Art Assembly 2019, Walthamstow
28 Sep 2022

A new report provides insights into what teachers need to help them use museums and galleries more in their practice, for the benefit of themselves and their pupils, as Sam Cairns writes.

BFI unveils good causes funding

A film maker uses a video camera
28 Sep 2022

A drop in public spending on the lottery means the BFI may have less National Lottery funding to distribute to the screen industries.

Arts websites 'reduce anxiety in young people'

27 Sep 2022

Study finds first clear evidence that online engagement with arts and culture has a positive impact on mental health and wellbeing.

Royal Academy of Arts offers young persons discount

26 Sep 2022

The Royal Academy of Arts is introducing half-priced exhibition tickets for all visitors aged 25 and under.

The institution says the move is a bid to help make the RA’s exhibitions more accessible. It will run alongside the existing offer of free exhibition entry for under 16s.

An existing discounted membership scheme for young people is being extended to include all under 35s. The RA’s Young Friends Membership, which starts from £65 a year, offers unlimited access to exhibitions.

RA Secretary and Chief Executive Axel Rüger said he is “delighted to be able to offer new ways into the RA especially designed for a younger audience”. 

“With an exceptional autumn exhibition programme and longer opening hours, we look forward to welcoming new visitors.”

Museum of Homelessness to open first permanent venue

22 Sep 2022

A new permanent venue for the Museum of Homelessness will open in London next year, it has been announced.

The museum said Manor House Lodge, in Finsbury Park, will be its base of operations as well as a centre for creativity, healing and community cohesion. 

Plans for the site are being developed by people with experience of homelessness alongside Stephen Greenberg, a museum planner who has worked on more than 100 museum projects. 

The museum said it hopes for the venue to be "a world class creative hub" that hosts performances, talks and workshops developed by people with experience of homelessness. It will provide 250 support sessions per year designed in partnership with those in need, which are likely to include regular surgeries focused on housing and legal rights as well as the provision of essentials during the cost-of-living crisis.

The plans for the site also include an open access professional standard arts studio for people experiencing homelessness and a home for the national archive and collection for homelessness, poverty and social action. 

The museum has been granted a 10-year community lease from Haringey Council which is currently undertaking initial works on the site. The Museum of Homelessness team is due to be onsite later this year and will undertake a six-month community development period prior to opening to the public in spring or summer next year.

Museum of Homelessness Co-founder Matt Turtle said: “After working in borrowed venues for seven years and relying on the generosity of partners especially the Outside Project, we are delighted to be putting down roots in Harringey. 

"We are excited about transforming this precious site into a museum space like no other, a place where people can hear stories they won't hear anyone else and receive practical support when they need it.

"Our community will work with partners including the council and people experiencing homelessness locally to make a space for everyone.”

Portrait of Queen to be auctioned for charity

20 Sep 2022

Dreweatts has announced a charity auction this November to raise funds for the Queen’s Mother’s Clothing Guild, a royal charity.

One of the most anticipated lots is Pearly Queen of St. James’s Palace, a large-scale portrait of Queen Elizabeth II as she appeared on the first-class postage stamp.

The work, by contemporary artist Ann Carrington, features thousands of pearl buttons hand-sewn onto a black canvas and is expected to sell for between £10,000 and £25,000.

Princess Alexandra, the Honourable Lady Ogilvy, the guild’s patron since 2003, said the proceeds of the auction “will contribute significantly to the vital work of the charity to provide more new clothing and bedding to those in need across the UK”.

Carrington created the work for the 140th anniversary of the guild. “Each button represents the volunteer sewers and knitters whose hand-made contributions since 1882 have enabled the charity to grow and flourish,” she said.

The work is part of a series of 23 portraits of the Queen created by Carrington, the only fine artist who holds a license from Royal Mail to produce artworks in postage-stamp form.

One of the 23 works was commissioned by the Queen herself, who requested that it be executed in red and gold.

Give galleries to the people

14 Sep 2022

After staging a takeover of a visual arts institution in Greater Manchester, Harry Meadley says cultural spaces should let the public represent themselves.

Former Turner Contemporary worker wins redundancy tribunal

outside of Turner Contemporary
05 Sep 2022

A tribunal rules the former staff member, who worked on a zero hours contract for ten years, was eligible for redundancy as her job role and relationship with the gallery matched that of an employee.

Scottish bursaries for artists and craft makers

05 Sep 2022

Visual artists and craft makers in Scotland can now apply for bursaries to put towards their creative development.

The Visual Artist and Craft Maker Awards (VACMA) offers fixed bursaries of £500 and £750 to artists at all stages of their career to develop their creative practice.

Funded by Creative Scotland, the scheme is managed locally by VACMA partners, and is available in 25 of Scotland’s 32 local authority areas, with £130,000 available in total.

Head of Visual Arts at Creative Scotland Amanda Catto said the funding will enable artists and makers to test new ideas, develop their skills and generate work.

“We are delighted that we have so many partners working with us to deliver the programme which generates such important, long-lasting benefits to the creative people working in their local area.” 

Applications for a first wave of funding will close 25 October, with the deadline for a second round scheduled for 7 February 2023.

VAT refund scheme for museums and galleries reopens

Image of Tate Modern
01 Sep 2022

The scheme, which is available to museums and galleries that provide free access to the public, is reopening to widen access to arts and culture.

Dealers select contemporary artists for British Art Fair

31 Aug 2022

British Art Fair has announced the launch of a new platform, SOLO CONTEMPORARY, to show “the very best contemporary British art”. 

A dedicated space at the Saatchi Gallery for British Art Fair will exhibit ten artists, each selected by one of Britain’s leading contemporary art dealers.

The new platform was conceived by the fair’s owner Will Ramsay, in collaboration with artist-curator Zavier Ellis. 

“The dialogue between contemporary and ModBrit artists is a profound one and we will seek to illustrate that relationship,” Ellis said. 

“I am also keen to emphasise the shifting parameters of what a gallery is, particularly in the post-Covid era. SOLO CONTEMPORARY includes curatorial projects and galleries that have alternative models as well as the standard."

Gay Hutson, the fair’s Founding Director, said it was founded in 1988 “specifically to promote the most talented British artists of its time”.

“SOLO CONTEMPORARY gives us the opportunity to continue with this vital part of the fair.”

Echoes of our industrial past

Image of Public Art Installation, See Monster
31 Aug 2022

A decommissioned North Sea offshore platform has been transformed into the gargantuan art installation SEE MONSTER at Weston-super-Mare’s iconic lido. Niccy Hallifax shares its inspiration. 

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