In the second of our series looking at the arts world of the future, Alice Walton casts her mind forward to 2020 and asks how arts organisations will attract future audiences.
In the latest of an occasional series looking at managing personal finances, Mahmood Reza distinguishes between the types of expenses that are genuinely tax-deductible, and those that will raise the taxmans eyebrows.
Creative technical solutions have to be found if an ancient theatre is to retain its heritage whilst meeting the demands of today’s artistic work and audiences. Colin Blumenau explains.
In the latest of an occasional series looking at managing personal finances, Mahmood Reza investigates the tax implications of company cars for employers and employees.
Effective comparisons within organisations’ accounts can help cut through the columns of figures to provide a true picture of how an arts organisation is actually faring financially. Mahmood Reza delves into ratio analysis.
In the final instalment of his series on financial reports, Mahmood Reza looks at cash-flow statements and the management use and interpretation of financial statements.
In the second of a series of articles about financial reports, Mahmood Reza examines how profit is calculated and unravels the mysteries of depreciation.
Performances with the Birmingham Royal Ballet, garden designs in Slough, and building exhibits for a science museum in Norfolk are just some of the projects that have enriched school life in many areas of England, says David Armstrong.
The general perception that arts organisations are full of nice people has led to a general assumption that cultural prejudice could not possibly exist. But institutional racism is evident throughout the arts, says Heather Newill.
This week ArtsProfessional welcomes Mahmood Reza of Pro Active Accounting to host an occasional column discussing some of the financial issues that face arts organisations.
In July 1999, Coventry’s Belgrade Theatre became the first theatre in the UK to sell tickets online. Kate Cripps explores the bewildering range of ticketing opportunities offered by the Internet.
