Partnerships put to the test
The European Regional Development Fund can be a crucial source of funding, but relations and processes between the partners involv…
The European Regional Development Fund can be a crucial source of funding, but relations and processes between the partners involv…
Glasgow will be hosting the Turner Prize next year for the first time. Marie Christie believes that a partnership approach will ma…
As Wales Millennium Centre marks its tenth anniversary, Mathew Milsom is proud of the economic and social impact the centre has ha…
Sue Ball explains why she believes that ‘slow architecture’ is the most effective way to create a sustainable future f…
Making unloved corners of Lincolnshire more attractive has brought communities closer together and opened the door to arts activit…
Made in Corby, a consortium of community groups and venues, is making radical and brave efforts to engage communities in the arts,…
Stoke-on-Trent has used big outdoor arts events as a main ingredient in its recipe for change. Karl Greenwood explains how.
Eloise Malone tells how she has transformed a former bank in Plymouth into an art gallery and creative space for vulnerable young…
Saltaire, a village within the city of Bradford, is a UNESCO World Heritage site and an inspiration for heritage regeneration proj…
Suzi Simpson tells how this summer’s Refugee Week Scotland celebrated the successful integration of refugees with music, dan…
A week of special events to mark Refugee Week in Nottingham’s Hyson Green explored new ideas and celebrated the cultural ric…
Peggy Mulongo recalls the challenges and joys of working with refugees and asylum seekers from the Democratic Republic of Congo on…
At a school in Bradford, a large number of pupils speak little or no English. Sarah Mumford explains how performing arts technique…
Creating and producing family theatre has led Harper Ray to reconsider his audience and cast aside some misconceptions.
Within the past year the RSC has integrated relaxed performances into its season planning. Jacqui O’Hanlon tells how this ha…
Kazzum stopped creating work for young audiences in indoor spaces to focus on the outdoor arts sector. Daryl Beeton explains why.
Hosting relaxed performances requires thorough staff training and partnership working to target audiences, say Karen Townsend and…
When Terry O’Donovan presented his latest musical show as a work in progress to five year olds they looked bored. Now it&rsq…
Visual arts activities for young people are more important than ever, since the decline in the teaching of arts subjects in school…
Patrick Spottiswoode outlines how the Globe Theatre in London is continuing a long tradition in adapting Shakespeare’s plays…
Peter Glanville is passionate that children’s theatre should be of the highest quality attracting the best actors and creati…
The Prison Arts Foundation employs artists-in-residence in prisons in Northern Ireland. Alison Smyth explains their approach and a…
The Prisoners Education Trust is celebrating 25 years of working with offenders and contributing to reduced reoffending rates, say…
Finding out what young offenders are good at and drawing it out of them can change their lives. Jane Bryant discusses Artswork&rsq…