As the Covid aftermath continues to unfold, David Reece explores how audience behaviour has changed and what that means for the wa…

As the Centre for Cultural Value launches a free online evaluation course, Dawn Cameron explains how evaluation can help organisat…

The scandal of the British Museum thefts has sparked an immense, international public reaction but, as litigation expert Rosie Adc…

Heritage Open Days returns with thousands of free events and experiences. The National Trust’s Tom Freshwater reflects on wh…

Whether you’re new to digital marketing or have been bluffing your way through for a while, Lauren James has put together a…

Kimberly Harding’s desire to study Black British theatre was born decades ago. This summer she travelled to London to make i…

Zoie Golding and Ollie Webb are 20 years apart in age and experience. Coming from backgrounds where a career in dance would be unl…

Covid was a challenging time for live music. But that didn’t stop Future Yard, a new live music venue in Birkenhead, from op…

A new report from King’s College London and the World Cities Culture Forum looks at the role of cultural policy in shaping u…

Thinking of rebranding? Rob Macpherson unpacks what you need to think about before embarking on a radical rethink of your image.&n…

Young people are often excluded from conversations and decision making in the arts. Jacqui O’Hanlon shares an initiative whi…

While not making him rich, Kevin Osborne’s early career earnings in the music industry were enough to allow him career break…

With a showcase of performance work headed for the Edinburgh festivals next month, Horizon’s Hannah Slimmon shares how match…

Driven by funder requirements and sector expectations, evaluation can feel top-down. Stephen Welsh argues for a more people-centre…

More than half of England’s high streets were built over a century ago, with buildings now falling into disrepair. Ellen Har…

Throughout the pandemic we heard the mantra 'build back better'. A new dance initiative aims to do just that – placi…

What’s in a name? And how does an organisation go about changing its brand identity? Lauren James has some top tips.

Succession is often a challenging experience for both the outgoing leader and those left to pick up the reins, as Claire Antrobus…

When arts organisations embed participation into their core purpose, they can connect with exciting and radical ideas and ensure p…

Catherine Allen’s expertise spans augmented and virtual reality, including the development of the immersive sector. Her…

In our series of articles spotlighting new National Portfolio Organisations (NPOs), Christina Lewis explains how Hull-based Back t…

The National Portrait Gallery has reopened after a three-year refurbishment. Its Director, Nicholas Cullinan and Andrea Sullivan o…

Co-Founder of the Festival of Making Elena Jackson says achieving NPO status is a recognition of placing artists and creative prac…

Over the past two years, Unlimited has undergone massive change. From a programme to an independent organisation and now an NPO, i…