Refugees welcome
When refugees from Ukraine fled into Poland, Ewa Kozik and Bartosz Frackowiak seized the moment to put their arts activi…
When refugees from Ukraine fled into Poland, Ewa Kozik and Bartosz Frackowiak seized the moment to put their arts activi…
In the third of our series profiling the shortlisted candidates for City of Culture 2025, Ian Bancroft reveals Wrexham as “o…
With 86% of internships in the creative sector unpaid, it’s hard for disadvantaged young people to get a foothold. Russell M…
How can cultural institutions ‘anchor’ and facilitate growth in creative districts? Natalia Vartapetova and Christie L…
An initiative to create more equitable conditions for freelancers in the sector has launched. Joon-Lynn Goh and Richard Watts intr…
New research on South Asian arts and ageing offers insights and inspiration to a new generation, write Elizabeth Lynch and Arti Pr…
After two years of constant learning, Anthony Sargent thinks we now have the foundations for a new world.
To support the development of ideas and cross-sector partnerships, there is a need for flexible, low stakes funding. Suzie Leighto…
Charlie Morley unpicks how the legislation introduced to protect customer data has had unintended consequences for staying in touc…
Why are women so under-represented in certain areas of classical music? Katherine Cooper thinks enduring stereotypes about women&r…
In the second in our series profiling the shortlisted candidates for City of Culture 2025, Shanaz Gulzar shares how Bradford's…
It has never been more important to recognise the value of music-making and the UK music industry as a national asset. Helena Gaun…
Thanks to the pandemic and the rising cost of living, a widespread pricing practice is back in the spotlight. Robin Cantrill-Fenwi…
Research about co-leadership in the arts mostly focuses on sharing the executive function between artistic and operational roles….
A project on the history of costume making has created meaningful new relationships with communities outside the theatre walls, wr…
If there is a universal truth in the arts and culture sector, it is that funding is an eternal challenge. That's even more tru…
Charles Hazlewood is on a mission to disrupt the traditional model of orchestral music and bring the excitement into the streets.
Recent research urged Edinburgh’s cultural sector to adopt a values-led approach to addressing inequities and precarities. V…
In October 2020, then Culture Secretary Oliver Dowden distanced himself from an advert encouraging people in the arts to retrain i…
In the first in a series profiling the shortlisted candidates for UK City of Culture 2025, Alison Clark introduces the county whos…
The box office provides much more than just the ability to sell tickets. It’s important, says Natalie Watson, to use th…
Digital teams have been at the forefront of connecting the arts with social justice and reform, according to a new report, writes…
The Ticketing Professionals Conference (TPC) was conceived in Denver in 2015 at the International Ticketing Associations’ an…
It’s a fundamental matter of social justice that cultural provision and opportunities are so unequal. Richard Watts argues s…