If there is a universal truth in the arts and culture sector, it is that funding is an eternal challenge. That's even more tru…

Charles Hazlewood is on a mission to disrupt the traditional model of orchestral music and bring the excitement into the streets.

Recent research urged Edinburgh’s cultural sector to adopt a values-led approach to addressing inequities and precarities. V…

In October 2020, then Culture Secretary Oliver Dowden distanced himself from an advert encouraging people in the arts to retrain i…

In the first in a series profiling the shortlisted candidates for UK City of Culture 2025, Alison Clark introduces the county whos…

The box office provides much more than just the ability to sell tickets. It’s important, says Natalie Watson, to use th…

Digital teams have been at the forefront of connecting the arts with social justice and reform, according to a new report, writes…

The Ticketing Professionals Conference (TPC) was conceived in Denver in 2015 at the International Ticketing Associations’ an…

It’s a fundamental matter of social justice that cultural provision and opportunities are so unequal. Richard Watts argues s…

Can the cultural sector embrace collaboration as an essential tool to dismantle racism? In launching their new campaign, Arts Agai…

A new report argues that urban planners need to do more to engage with theatre or risk losing these vital assets. Alice Morby has…

Lending and borrowing are vital for museums and their collections to remain dynamic and relevant. Katie Lloyd and Catherine Monks…

Can coaching enhance the resilience of people working in the arts during times of challenge and change? Nina Byrne has been doing…

Louise Wildish has been exploring whether working models in the arts are accessible for those, like her, living with chronic illne…

What’s the impact of cultural participation in later life, and how do we capture its value? Helen Manchester explores what t…

As new regulations come into force for employers, James Tamm and Nick Wilson run though what organisations need to understand abou…

UNESCO’s Creative Cities Network includes 13 UK cities. Karen Merkel shines a spotlight on a programme which demands in…

For a busy, freelance arts professional, carving out the time to attend yet another event can be difficult and sometimes not worth…

Struggling with the elitist nature of the concert hall, Matthew Whiteside decided it was time to bring contemporary classical musi…

While at school in Manchester, a career in theatre seemed like a distant dream to Tom Stocks. In fact, he was advised that brickla…

As a trained dancer and choreographer, Rosie Heafford learned the hard way how to deal with an invisible disability. 

Pricing is an overlooked form of communication. As soon as a price is placed on something, it sends out a message about the produc…

John McGrath shares his vision for a radical, new, ultra-flexible space that he hopes will be a significant addition to the cultur…

The pandemic has forced us all to think differently – about the work we do, the way we work, and about how we plan and strat…