Collaboration drives opportunity, say Lucy French and Tom McKenzie. Here they discuss how collaborative and social enterprise…

In the first of a series of articles exploring what it means to be data-driven, David Reece argues that, while data is a powerful…

When it comes to bid writing, many grant givers demand predicted impact. But for Lucie Davies and Alex Mayer, there is profound va…

Cuts in local authority spending are having serious impacts on communities. But, as David Alcock argues, they could throw up a onc…

A good partnership is based on a few basic principles. But, as Jason Jones-Hall argues, it cannot be achieved without a partnershi…

This week a report* on the state of the creative health sector in London has been published. Here, its author Dr Rebecca Gordon-Ne…

Orchestras for All exists to fill a gap in music education. With its deep commitment to creative inclusivity, Katie Villa&nbs…

As the new academic year gets underway, Robert Dingle reflects on how collaboration between museums and schools can provide a rich…

UP Projects aims to combine artistic excellence with social value. But, asks Emma Underhill, can it also influence…

Fiona Morris explores the wide-ranging benefits of arts organisations building place-based partnerships. 

Universities and creative industries may seem unlikely bedfellows, but their potential – in partnership – to catalyse…

Among the thousands of art lovers that flocked to the Edinburgh Festival last month was a British Council delegation of global cre…

There has been a lot of talk about the future of UK arts funding over the summer. Fran Sanderson has been assessing various fundin…

Anyone involved in marketing, or creating websites or digital products will know the phrase ‘You are not your customer&rsquo…

Arts and cultural marketers are inspirational. Despite the challenges organisations are facing, they remain optimistic and passion…

Without the real Living Wage, creative and cultural growth will just replicate existing inequalities, writes Lianna Etkind.

Cross-sector partnerships – regardless of scale – are complex. As Evelyn Wilson writes, they need time, financial reso…

The Edinburgh Fringe can be an intense, overwhelming experience. It’s the heart of thousands of artists’ performance c…

A new government means new strategies. But if they are to respond truly to what’s required at the local level, it’s up…

Stephanie Wilson and Honey Gabriel reflect on Croydon's year as London Borough of Culture 2023 and look ahead to the borough&r…

As arts companies look internationally for new partnerships and audiences, Alex Lalak explores potential concerns about copyright…

A new book by the late Richard Pilbrow explores how the National Theatre came about and how it laid the groundwork for future thea…

Following their collaboration on a groundbreaking project, Sarah Bailey, Kate Houlton and Danielle Lewis-Egonu reflect on how a so…

The Space has convened an Accessibility Working Group to support the sector to work in more inclusive and accessible ways. One of…