
Reshaping public discourse around migration
As the landscape of research collaboration evolves, NCACE’s Suzie Leighton examines how research can fuel creative activism – wi…
As the landscape of research collaboration evolves, NCACE’s Suzie Leighton examines how research can fuel creative activism – wi…
Researcher Susan Oman spent two years embedded within DCMS on a policy fellowship. Here they explain why the resultant digital pol…
It is possible to operate a free-to-access museum without government funding, but it comes with significant challenges, as Trish J…
AI is no longer a future concern – it’s already transforming how arts organisations connect with audiences, create work, and ope…
Despite a world-class museum sector and a complex history of migration, Britain does not have a permanent museum exploring the mov…
Perched on the English Channel, Hastings attracts considerable migration. But, as Dee Haughney shares, the work of a trailblazing…
Leaders of cultural organisations face the constant question of how to allocate limited time and resources effectively. Robin Cant…
A new report on the intersection of creativity and technology – CreaTech – is published this week. Its findings, according to…
What happens to a library’s capacity for creative expression and innovation when knowledge is shared among nine services? asks T…
As 2025 gets into swing, the year ahead will bring a raft of events that will have significant implications for the arts and cultu…
How can we promote fairness, spark collective imagination and work towards a more just and resilient future together? asks Rachel…
It’s tempting to dismiss digital sustainability as too big of a challenge to tackle, writes Substrakt’s Zosia Poulter. But the…
Katy Rubin, director of The People Act, considers how to bring government and citizens together into creative collaboration for ef…
The government published its Civil Society Covenant Framework last autumn. Jason Jones-Hall of the cultural placemaking organisati…
Marie McPartlin is director of Somerset House Studios where she curates a space in the centre of London which hosts more than sixt…
Daniel Fulvio is director of community partnerships at Rambert. Here he shares a pioneering dance project that aims to equip young…
How can museums and galleries become more sustainable? Robert Dingle of Art Fund shares some resources and initiatives in support…
To what extent can finding a creative voice unlock your wider civic activist voice? Dr Katy Pilcher and Fun Palaces’ Amie Taylor h…
The future of digital marketing isn’t just about mastering new technologies, it’s about making connection, says Cath Hume of the…
In the face of all the financial pressures confronting our sector, Stephen Dobson of the Centre for Cultural Value argues that the…
Hidden within public data about museum engagement are some unexpected insights. Guy Turton of Morris Hargreaves McIntyre has been…
After a year of change across the government and arts councils of the UK, here’s a handy, end-of-year round up of the current chai…
As The Glasshouse International Centre for Music turns 20 this week, its managing director Abigail Pogson takes stock of the impac…
Continuing our series looking at EDI issues in the sector, Carolyn Forsyth and Amelia Michaels of Talawa Theatre Company discuss t…