Entertainment without exploitation
Charlotte Bence looks back on how the trade union Equity has fought low paid and unpaid work in the entertainment industries since…
Charlotte Bence looks back on how the trade union Equity has fought low paid and unpaid work in the entertainment industries since…
A paid internship scheme provides theatre company Third Angel with essential administrative support – and develops talent th…
Liz Hill introduces the grim findings published this week in the ArtsPay 2018 report on pay in the arts and cultural sector.
As work gets underway on a new industry-wide digital code of best practice, Katie Moffat outlines four fundamental principles unde…
A key barrier to growth in the immersive technology industry is a lack of content. It’s a gap tailor-made for the cultural s…
How can the ‘fix-it style' philanthropy of the mega-wealthy US tech entrepreneurs be applied to the arts in the UK? Mich…
Schemes aimed at generating loyalty need to do more than offer simple discounts. Francesca Di Nuzzo looks to airline loyalty progr…
Over 25 years the role of cultural marketers has expanded, but the focus remains on audience relationships. Cath Hume examines the…
Opening up decision-making about what art gets made and by whom doesn't lead to people 'playing it safe', but to progr…
Don't make the mistake of thinking homogenous jargon will push a funder's buttons, says Phoebe Walker.
The idea of managing intellectual property fills many people with not just uncertainty but dread – which is why the Boosting…
Little has changed in the ten years since John Holden first shone a spotlight on the damaging disconnect between the arts sector a…
Circus was created to fill a gap left by ‘serious’ theatre. Now a new generation of performers is rejecting bureaucrat…
Tackling the climate crisis will require rapid and unprecedented change. Chiara Badiali asks whether the sector has what it takes…
Very few theatres were built with today's sustainability standards in mind. The sector needs to face up to the financial and e…
When Ron Evans started thinking about how to make post-show talks more appealing and accessible, he found audiences hungry for new…
Theatrical productions typically give priority either to the playwright’s text or the director's interpretation. Eve Lei…
The over-hyping of projects, initiatives and schemes really grates at a time when creative education in schools is being systemati…
Action learning, part of the Boosting Resilience programme, is highly valued by participants and facilitators. But what is it exac…
Biennials have emerged as a key influence in contemporary exhibition-making. Shwetal Patel and Sunil Manghani explain how a more i…
The cultural sector has become a self-endorsing closed shop and it’s high time for a shake-up. Simon Dancey throws down the…
Limited opportunities are preventing the authentic voices of disabled directors and writers from being heard. The sector needs to…
At a time when the UK is looking to tighten its borders, Julia Grime looks at how German theatre has been welcoming the cultural i…
How can arts and culture reach a broader audience that more accurately reflects local communities? Sarah Boiling explores how to c…