
A different kind of dialogue
Approaches to assessing cultural value are stuck in a financially reductionist ‘value = money’ orbit. We should be exa…
Approaches to assessing cultural value are stuck in a financially reductionist ‘value = money’ orbit. We should be exa…
What exactly do we mean by creativity, and how will the UK measure up when the world education league tables start assessing it in…
There has been a dramatic expansion in the number of organisations supporting arts activities by and for older people in the UK &#…
What are the characteristics, interests and motivations of the over-65 demographic? Lucie Fitton reveals all.
The arts have helped scientists gain a better understanding of how it actually feels like to live with dementia. Julian West share…
As local authority cuts continue to squeeze culture and heritage budgets, libraries offer a way for councils to preserve access to…
The arts are important because they matter to us, and any attempts to further justify them lead to an impoverished and less human…
The success of Hull City of Culture shows what can be achieved in the arts when we come together to achieve a common goal. Positiv…
If cultural districts are to operate sustainably they need to make sure the voices of all stakeholders are heard, says Beatrice Pe…
Nurturing young people’s talent is a key part of improving diversity in the arts sector, says Jacqueline Haxton.
It can be brutal to have your work rejected. Tom Harvey has devised a ‘Humane Commissioning Manifesto’ to fight back a…
Has Arts Council England got cultural democracy wrong? Steven Hadley and Eleonora Belfiore argue for a more thorough questioning o…
Clinical psychologist Katherine Taylor explains how Greater Manchester is putting the arts at the heart of its mental health strat…
Arts organisations are under growing pressure to demonstrate social impact. Emma Taylor-Collins explains how they can gain robust,…
Ovalhouse’s FiRST BiTES programme ensures that it takes the risks necessary for creating diverse and experimental theatre, e…
How can an arts organisation be sure it is working with schools that represent the community? Lucie Fitton and Ashleigh Hibbins su…
Effectively monetising creative work ensures that artists can continue to do what they love. Ros Gilman offers advice on pricing,…
As performance targets squeeze the arts to the margins of the curriculum, only the most courageous of state schools are continuing…
By taking a robust approach to understanding the social class make-up of the workforce, the cultural sector can address entrenched…
If artists want an authentic response to their work, they need to give viewers a way in, argues Eleanor MacFarlane.
Arts organisations could be doing a lot to tempt potential audiences with a taster of their work. Steve Wallace explains how video…
With artist workspaces under threat from funding cuts, increases in business rates and property development schemes, a new initiat…
How does a dyed-in-the-wool advocate for public subsidy of culture feel about social investment for the arts and cultural sector?…
Grassroots culture undeniably delivers huge benefits to communities and local economies, but Martin Cox believes it could also res…