A new report into the challenges facing the museum and gallery sector has just been published. Rachael Browning outlines its key f…

Failure is part of life. We all know this, creative folk perhaps better than most, says Katie Villa. But how can we learn to…

Directors of Education and Learning from some of the country’s most high-profile theatres are calling on all political parti…

One of our defining characteristics is the diversity and inclusivity of our team, says Delia Barker, as she reflects on the theatr…

Does your website give equal priority to main house shows and community events? Lauren James has some tips on how to use your webs…

Professional boxer and former Young Birmingham Poet Laureate Matt Windle has been working with a group of ‘hard-to-reach&rsq…

There is significant under- and misrepresentation of the Black community in the creative industries. Emma Sithole of Be Unite…

We've come a long way from the difficulties of recent years, and some key metrics are starting to show a positive trend. But w…

The National’s Head of Access David Bellwood explains how the theatre prioritises accessibility, working with manufacturers…

Continuing our series looking at the role of philanthropy in the arts, Tessitura’s Kate Watson and Rebecca Herberson explore…

With increasing demands on the boards of arts organisations—by both funders and the Charity Commission—Helen Keall of…

While a great deal of effort has been focused, rightly, on the mental health and wellbeing of performing artists, Claire Cordeaux…

Tees Valley Combined Authority has launched a radical new programme for artists which could provide a groundbreaking model for oth…

Long-term Heart of Glass collaborator Chrissie Tiller reflects on working with the Merseyside-based NPO and how, by building deepe…

Cultural policy makers have not focused much on census data in the past, but that data is a goldmine for researchers, says Mark Ta…

With her experience of working across multiple projects, Sarah Fortescue explores how the sector can deliver what they do best, in…

Covid has affected the UK theatre industry at all levels, with wide ranging impacts on the workforce, livelihoods, working practic…

After a recent appearance before Wales’s Culture Committee, Charlotte Faucher has been rethinking our new relationship with…

Evaluation reports in the cultural sector can be packed full of learning. Emma McDowell explores how we might unearth this existin…

You may not have met a philanthropy advisor before, but it is a growing profession, so be ready. Emma Beeston, who’s been on…

Introducing an ambitious initiative at a time when subsidised arts organisations are being asked to do less seems like madness. Bu…

Northcott Theatre in Exeter has said it will advertise at least one creative role on every production. Creative Director Martin Be…

In the first of our series looking at the role of philanthropy in arts funding, Caroline McCormick of the Cultural Philanthropy Fo…

As activity this year gathers pace, Michelle Wright explores the many quandaries arts organisations have to navigate in deciding w…