Collaborations between university researchers and artists need careful managing. Michael Eades shares his three key tips for media…

UK-based artworks loaned overseas to museums or galleries are more at risk from seizure in Italy than they would be in other Europ…

In the fourth of a series of articles, Christy Romer says it’s time for data about workforce, programming and casting to be…

The first full year’s worth of data from the Audience Finder survey raises important questions about the inclusivity of arts…

What should an emerging artist know? Director of the The Griffin Gallery, Becca Pelly-Fry, and Detroit-based artist, Corrie Baldau…

The new online course focuses on the intellectual, critical and business elements of photography – but how does it work? Pau…

How can arts organisations ensure they matter to their audiences and funders? Sara Lock has been learning from Nina Simon, author…

From trailers and vox pops to backstage sneak peeks, the arts sector produces reams of video footage, but what impact does this co…

Time is running out for small organisations yet to set up a pension scheme – they’ll soon face hefty fines for no…

The arts sector struggles to articulate its impact, while the UK’s video games sector has done it very effectively. Stephen…

As education policy-makers and schools adopt an increasingly evidence-based approach, how can the cultural sector make a more cohe…

What does the Artistic Director of England’s most highly-funded theatre think about quotas, naming and shaming, and the lack…

Could arts organisations be doing more to help young people at the start of their careers? Sam Jackman and Mary Olszewska feed bac…

What does excellence mean to the communities experiencing the arts through the Creative People and Places programme?  Mark Ro…

How do the public make value judgements about works of art? To find out, Saul Albert did some eavesdropping at Tate Modern.

We’ve been reading, writing and speaking about diversity in the arts for decades. In the third in a series of articles, Chri…

How can a more inclusive leadership style increase diversity in our audiences? Anne Torreggiani identifies three distinct characte…

An established brand has helped arts organisations increase engagement and fundraise. But how do you begin developing a brand? Kir…

How much attention should you pay to the food at an art fair? And can you ask how much the art costs? Oonagh Murphy offers strong…

Research into business model development in the arts often neglects smaller organisations, but a new project is changing that.&nbs…

National Portfolio Organisations are thriving, despite 27% cuts in local authority funding. Christy Romer examines how.

Jane Earl busts some arts-related myths, starting with ‘everyone wants to take part in arts activities’.

Disappointed with the aggressive nature of today’s arts marketing, Ben Walmsley explores the potential benefits of a more di…

Artists and other self-employed arts professionals are missing out by failing to take advantage of the tax rules designed to leave…