Do arts projects in schools boost pupils’ health and wellbeing? Ros McLellan finds the current evidence posit…

The Warwick Commission report may have sparked a useful debate, but how can its recommendations be acted upon locally, asks&n…

An online reward scheme has the potential to inspire children and young people’s interest in arts learning, believes Laurie…

People who 'don't do arts stuff' can't be expected to come to an arts event just because it's free, family-fri…

Jane Willis gives advice on how to approach public art projects in healthcare settings so that everyone – patients, sta…

David Carrington explains what arts organisations seeking commercial support can learn from the recent Tate/BP sponsorship freedom…

The University of Bath – a university that offers no arts courses – recently launched a new arts venue, but its a…

Debra King and Sarah Perks share their experiences of delivering a multi-artform project as part of the sister-cities celebrations…

Teachers in the north west of England are making notable inroads as advocates for the arts in schools. Jude Bird describes the SLi…

Sean Egan believes the new Theatre Tax Relief signals a shift away from government support for the subsidised sector in favour of…

Since opening its museum shop two years ago, the Sir John Soane Museum has seen it go from strength to strength, developing a valu…

Online sales of art may have grown significantly in the past year, but artists and galleries must work hard to attract a digital a…

The debate about how to evaluate arts in health projects is being furthered by a new dance programme for people with Parkinson&rsq…

Many agree that we are not doing enough to support working-class actors as they start out in their chosen career. But Anna Campbel…

Data management has to be everyone’s responsibility and not just seen as an “esoteric specialism”, says Michael…

Tense and lively discussions at Dance UK’s recent conference will form the basis of a five-year strategy for dance, says Car…

Do all arts organisations need a formal salary structure? Eleanor Deem discusses why they can be useful.

Isn’t all theatre ‘community’ theatre, asks Sara Clifford as she explores why so many people write it off as jus…

Recognising the potential growth of cultural tourism four years ago, Ireland’s audience agency published a guide for arts or…

Hannah Mitchell explains how arts organisations can achieve the desired ticket sales through significantly fewer em…

Taking female actors to Saudi Arabia to perform with young Saudi women is just one of the National Youth Theatre’s ground-br…

Research shows that recruiting the right type of creative professional can be critical for the success of a schools project, expla…

Roberta Doyle explains why Scotland’s theatre company ‘without walls’ tours the highlands and islands of Scotlan…

In true Bertrand Russell style, Chrissie Tiller suggests that we turn the burden of proof on its head – and prove that…