In 2013 Drew Hemment got the call – the Singapore government wanted his help staging an arts and technology f…

The creative sector is growing, so where are the jobs? Pauline Tambling squares up to the challenges facing young people and arts…

How do you market exhibitions to audiences with competing preferences? Hannah Carroll shares her top tips.

As creative subjects are squeezed out of the curriculum, what can arts organisations do to ensure all children benefit from cultur…

What are the opportunities for arts organisations interested in delivering ‘on prescription’ schemes? And do they outw…

Tired of the same old conversations about audience development, Victoria Johnson has decided to shake things up.

Murals were used to divide communities during the Troubles, now art is helping to build peace in Northern Ireland, says Roisi…

Bethany Houldsworth reveals how she’s learned a lot as a Creative Apprentice for Lancashire County Council – not least…

Where does our growing drive to work in partnership come from? And is it anything more than a way of sweetening the bitter pill of…

Can a small touring company benefit from running a Friends scheme? Liz Hill examines the opportunities and the challenges.

Might you be guilty of unconscious bias when recruiting? Eleanor Deem discusses what it is and how to avoid it.

Supporting talent and nurturing creativity is vital in a sector that relies on a multi-faceted set of skills, says Graham Sheffiel…

Match funding has received some bad press recently, but Carl Watt has seen it work wonders at encouraging business sponsorship of…

There are all sorts of financial interventions claiming to help organisations build resilience. But which can actually work for ar…

Should the arts stop using the term ‘digital’? Is it ready to? Anna Dinnen looks at recent Digital R&D Fund projec…

Paul Martin reveals how London’s boroughs are protecting arts and culture against rising rents and funding cuts.

Want society to reap the health benefits of arts engagement? Stop directing so much funding to major organisations – th…

England has some of the unhappiest schoolchildren in the world. But Paul Collard believes bringing artists into the classroom may…

Programming a music festival with over 300 events can’t be easy, but Donald Shaw knows exactly how it’s done. He gives…

Munira Mirza on the power of art to change people’s perceptions of a city – and make them into more ‘h…

Unable to take on unpaid work, Salome Wagaine thought she might be excluded from a career in the arts. Then she found out about th…

Placing data-scientists-in-residence in arts organisations has led to some futuristic tools that are of real use. Cimeon Elle…

Older people want to be part of an intergenerational community not a ‘crinklies camp’. Stephanie Fuller shares this an…

Arts Council England Chief Executive Darren Henley talks to Liz Hill about arts funding, placemaking, education… and transp…