Can and should museums be playful places? Anna Bunney and Charlotte Derry believe so and are on a mission to discover how best to&…

The tragic story of Lidice, a Czech village destroyed by the Nazis, formed part of a recent Cultural Value project investigating t…

A number of challenges face arts and cultural organisations trying to show their impact on public service outcomes. Jessica Harris…

Andrew Dixon celebrates the huge success of the UK City of Culture programme with Derry in 2013 and Hull  in 2017, but feels…

New music can be attractive to anyone but it all depends on how we hear about it and then where we first hear it, believes Tania H…

Oussama Rifahi explains how the Arab Fund for Arts and Culture supports artists working in challenging situations with very limite…

A new coaching and networking programme supporting the next generation of female cultural leaders in east London is part of the le…

Russell King describes how, through the Lawyers Volunteering for the Arts scheme, he has helped Peckham Platform establish itself…

Dirk vom Lehn explains how video-based research into social interactions in museum or gallery exhibitions can be used to develop n…

Good data can mean great cost savings as well as valuable insights. Hannah Mitchell kick starts some New Year resolutions on effec…

Panto, ballet and nativity plays are standard Christmas fare in the UK, but what are they enjoying in other European countries? Al…

For a week in October Rambert invited the public to view rehearsals and training, and take part in choreography and dance classes….

Manchester Camerata will be experimenting with simple, sensory ways to heighten the audience’s experience and transform the…

Partnership working has aided the fortunes of arts organisations across the country, allowing them to embark on projects previousl…

David Alston explains why the Arts Council of Wales has set about developing a strategy for our times – and why artists are…

If ethical questions lead us to pick and choose what is right and wrong from an artistic perspective, or to judge the credentials…

Some small arts organisations do not deal with maternity leave as professionally and competently as they should, says Sally Lai.

Working with some of the best French contemporary circus companies has raised the bar for our own version of the artform, says Gav…

To make Southbank Centre’s Unlimited Festival a success, Wendy Martin knew that she had to improve accessibility for the 100…

Un-ticketed venues and events can now gather data that will give them the level of customer insight that performing arts venues ha…

What does it take to be a playwright in the community? Alan Spence reflects on the highs and lows of writing plays for community g…

The number of students choosing craft-related subjects is dwindling, research has revealed. Annie Warburton describes the action T…

Eleanor Deem gives some guidance on managing young people in both volunteer and paid roles.

Our national media need to be more conscious of their influence in creating a sustainable cultural economy for the entire UK and n…