Eleanor Head advises galleries on their legal position in the event that a painting turns out to be a forgery or its ‘proven…

The Leeds Creative Labs programme has funded collaborations between university academics and creative technologists. Sue Hayton re…

Sean Egan takes a long-term view of the proposed theatre tax relief, suggesting how it could benefit subsidised and commercial the…

Why are we not critically engaging with learning disability arts? Bella Todd reports on the recent Creative Minds conference.

Moving artworks around the world is a complex and costly process. Michael Festenstein advises on how it can be done carefully and…

Natalie Wade shares some tips on how she has been creating great art and culture for young people for whom disengagement had becom…

A breakthrough in the way that arts in health programmes are developed and researched is set to transport arts activity into the h…

Roanne Dods explains why the working practices of small-scale enterprises run by artists and creatives provide a model that is inc…

Making a career for himself in circus, Tim Lenkiewicz explains how he is aiming to make his circus-producing company commercially…

Financial accounting changes are rare but a new financial reporting standard is to be introduced next year. Mahmood Reza explains…

A shared set of values to assess quality and outcomes needs to replace providing evidence of clinical effectiveness for arts inter…

On an arts programme secondment with the British Council in Ukraine, Liz Pugh has been witness to the turbulent geopolitics of the…

Can our theatres be considered as ‘community theatres’ and be listed as Assets of Community Value? Mhora Samuel discus…

Mat Fraser focuses his disability activism on how exhibitions in medical museums can change ideas and attitudes around disability.

How does a tiny Georgian theatre survive in a working class town? Esther Harris talks to Richard Stride, owner of the Groundlings…

Richard Clay reports on a cross-sector, digital technology project, bringing together academics, cultural organisations and small…

As a performer, songwriter or producer are you receiving the royalties due to you? Keith Harris reports on the millions PPL collec…

Alex Jones urges those in the early to mid stage of their career (like her) to join a What Next? Generation group.

Kate Reynolds describes a multi-arts project for young people with autism spectrum disorder that has gone off the beaten track and…

Crowd-funding was a rough but eventually successful ride for Gill Kirk. She reveals the highs and lows of her month-long campaign.

How did Robert Sanderson turn an overspending council-run facility into a theatre and concert hall thriving without subsidy? Erik…

Scotland’s museums sector has taken an innovative approach to overcoming financial challenges, according to Joanne Orr.

Carolyn Black reflects on our use of language in recent papers and discussions at the No Boundaries conference on resilient p…

As the Writing Squad recruits its seventh group of talented young authors, Danny Broderick and Steve Dearden explain how their for…