Fairer funding for all
In light of the current debate about ACE's distribution of funding, Carol Reid explains how the regional allocation formu…
In light of the current debate about ACE's distribution of funding, Carol Reid explains how the regional allocation formu…
Eastleigh Borough Council's Culture Unit is proud of the interns it has employed. Cheryl Butler describes the progra…
Jonothan Neelands warns that although creativity and cultural vibrancy are part of our shared DNA, the flourishing Creative Indust…
Beatrice Pembroke sees a new role for old institutions in a changing world that needs fresh thinking in new spaces – spaces…
When it comes to audience data, Michael Nabarro says technology should be helping return us to our roots and emphasise what makes…
Jessica Plant and Kate Davey argue that arts interventions in the criminal justice system have demonstrated positive outcomes…
Jess Hoare introduces two of the young journalists who have been responding to the No Boundaries conference.
David Jays explores the pressures on ballet's artistic directors who are frustrated by a narrow repertoire.
Trustees of arts boards should be playing a significant part in supporting fundraising activities, accord…
Brian Gambles explains how Birmingham’s new library is engaging with young people so that culture and creativity can become…
A year since receiving a Google Ad Grant, Liz Walker and Frances Richens reflect on the highs and lows of Watford Palace Theatre&r…
Lucas Stewart reports on the difficulties involved in ‘Hidden Words, Hidden Worlds’, a British Council project in Burm…
Do commissions from funding bodies based on measurable outcomes really benefit arts organisations? Ross Harvie reflects…
Eleanor Deem recommends a flexible approach when no single candidate appears to be the perfect fit for a job vacancy.
AmbITion Scotland’s Make:IT:Happen fund aims to help Scotland’s cultural sector become digitally fitter. Ashley Smith-…
The Digital R&D Fund for the Arts has resulted in several playful yet valuable collaborations between the arts and techno…
With its new name and status as an independent charity, Peckham Platform is a very different organisation, according to&…
Since Derby Theatre became a learning theatre academics and students work alongside theatre staff. Sarah Brigham explain…
In Alex Youel’s second article on membership schemes, he shines a light on operational aspects as the scheme grows.
A new gallery for visiting international artists has recently opened in a terraced house in South Shields in the north east of Eng…
Sarah Stannage warns that many arts organisations may be missing out on European and Government funding available through Local En…
Huddersfield Contemporary Music Festival has an enviable international reputation but how does it go down with the locals? Sarah M…
Liz Pearson is certain that partnerships between educational and public cultural bodies are maintaining the momentum behind Stratf…
Burns Night is celebrated in some style in Dumfries, with three days of music, theatre and carnival. Graham Main describes how tho…