How does an arts organisation tackle change successfully in difficult economic times? Ivan Wadeson summarises his discussions with…

As crowdfunding continues to make an impact, Sean Egan looks at its two forms and how the arts can take advant…

Tamsin Dillon describes how art is being used to mark the 150th anniversary of the London Underground.

Mark Fisher charts the global success of ‘Made in Scotland’, the programme which showcases dance and theatre comp…

Caroline Greener believes that cultural centres should be reaching out to those who will never physically visit their venue.

Jenny Williams is looking forward to the day when our national cultural institutions are led by a beautiful diversity of people ac…

Willemijn Zandt explores the quest to achieve equality between the sexes by looking at the visual art market.

The Arts Council of Northern Ireland is committed to promoting equality, as demonstrated in its first Intercultural Arts Strategy.

Think it’s time to merge Lottery funding with Grant in Aid to plug the arts funding gap? Think again, says Christopher Gordo…

The Old Vic’s community theatre projects may be uneconomic and time-consuming, but Steve Winter and Alexander Ferris believe…

Mark Hewitt reflects on the impact of an arts regeneration project in Leysdown-on-Sea on the Isle of Sheppey.

Jessica Stockford tells how Arts & Business’ programme to recruit young employees of big companies to arts boards has pr…

With so many mergers taking place, Mahmood Reza advises that careful consideration is given well in advance to bringing together r…

Neil Anderson tells the story of The Public, the arts venue in West Bromwich they call the ‘pink elephant’.

In a relatively buoyant global art scene, Mauro Herlitzka looks at the increasing interest in Latin American art, aided by an acqu…

The arts and higher education have been working together in a number of ways to the benefit of both sectors, says Sue Hoyle.

Working in prisons and other challenging environments is, well, challenging. Hannah Hull argues for the importance of thinking cri…

Helen Palmer and Susie Stubbs describe how cultural tourism can work – and has worked in Manchester.

David Alston recognises that Wales’ physical attractions pull in most tourists but believes that exciting and innovative cul…

What support do emerging composers and sound artists really need to develop? Susanna Eastburn outlines the findings of a recent co…

Hull, on the long list for UK City of Culture 2017, is already benefiting from the bidding process as it celebrates its quirk…

Collaborations with a yacht club, fishermen and many others are set to increase engagement in the arts in the Canterbury region. L…

Alan Clarke is working on a training programme for artists who want to work in prisons. He outlines some of the challenges faced s…

Sadler’s Wells Wild Card initiative has not only offered unique opportunities to young artists but has also attracted a new…