Clive Hopwood gives some examples of the impact that the Writers in Prison Foundation has had over the last 20 years.

Kate Massey-Chase discusses the impact of personal budgets on participants at CoolTan Arts.

Jenny Richards suggests that the work of Art vs. Rehab, and in particular its Critical Spaces project, gives practitioners the muc…

The Grodzki Theatre Association has created a website where artists and educators can place films, images and texts of their work…

Cila Warncke discusses the role of literature in promoting democracy and social change in a country like Myanmar. &…

As opportunities for alternative and creative forms of education and care provision are diminishing, Bridget McKenzie puts forward…

Alex Fradera and Julia Pöhlmann explain why improvisational theatre is so effective at breaking down the barriers between prisone…

Matt Tyler suggests that the traditional career path for arts professionals needs to be reviewed.

London 2012 promised to inspire a generation in both sport and the arts. Recent research makes Moira Swinbank believe that this is…

Ruth Ben-Tovim describes ‘A Little Patch of Ground’, a food-growing and performance project aimed at people of all age…

The Scottish Brass Band Association has recently devoted resources to developing a successful youth programme. Clair Tomalin descr…

Hospitals do not have to be about sterile rooms, uncertainty and isolation as Mark Norbury has proved at the Chelsea and Westminst…

Lisa Ball-Lechgar describes how Abu Dhabi has placed culture as a vital element in its ongoing development and growth.

David Dixon is convinced that fundraising in the arts sector is relatively easy, provided arts organisations make good use of…

Mahmood Reza explains ‘real-time information’, a significant change to payroll operations to be introduced in April.

The North East Children’s Theatre Consortium ensures that fantastic theatre for children and young people remains centre-sta…

Jenny Williams suggests some questions the arts sector should be asking in response to the 2011 Census findings relating to e…

When arts organisations are teetering on the brink of insolvency, a Company Voluntary Arrangement may throw them a lifeline. Mahmo…

2012 was a tricky year for the UK’s many music festivals but Steve Heap reports on how they are determined to ride out the s…

Ben Challis shares some tips on how festivals can reduce their environmental impact.

Elliot Grove tells how film school classes have contributed to the Raindance Film Festival becoming an international brand.

Times of austerity and pending funding cuts from the public purse are actually opportunities to develop new ways of working, poten…