Let’s get commercial
Sean Egan believes that the new Localism Act gives local authorities the opportunity to enter into a more commercial relationship…
Sean Egan believes that the new Localism Act gives local authorities the opportunity to enter into a more commercial relationship…
Philip Thomas spent five weeks on a Winston Churchill Memorial Trust travel fellowship researching the American senior theatre mov…
No arts organisation should just be the passive receiver of money: robust partnerships are the only way forward for a sustainable…
Five years ago, the Arterial Network, a pan-African arts network, was set up to address poor government policies, the marginalisat…
Oldham Libraries and the Oldham Coliseum Theatre have been working together while the theatre undergoes rebuilding work. Andrea El…
How do we put a proper measurable value on creativity and how do we realise that value for the people who have the original ideas?…
From tabloid hostility to acts of God, Juliet Dean discusses the challenges of managing a major Cultural Olympiad arts project.
Andrew McIntyre outlines a new approach to exploring cultural engagement which provides an insight into people’s behaviour – a…
Live streaming offers arts organisations the potential to develop new income streams by creating and presenting work in different…
Earlier this year Unlimited Theatre became the resident company at the West Yorkshire Playhouse (WYP). Jon Spooner, Unlimited Thea…
Beatriz Garcia reflects on the Cultural Olympiad and the learning that can be passed on to Games hosts of the future.
What happens when audiences give feedback to artists and composers as part of the process of creating new work? Andrew Burke decid…
In Memoriam giving remains one of the most under-developed and reactive methods of raising funds within the whole voluntary sector…
Ambitious projects can still be financed through the unlikely source of the Heritage Lottery Fund (HLF). Alastair Fairley explains…
The impact of participatory art on the experience of new migrants and their interaction with a new cultural environment is now the…
Marina Castledine explains how the Arts Award is reaching out to more young people
Will there be a mismatch between the vision articulated in the Henley Review of Cultural Learning and the strategies for making it…
At the ‘Shift Happens’ conference, Dave Moutrey gave us a glimpse of the digitally enabled organisation of the future
Harper Ray explains how Globe Education is producing education resources that are as vivid for those further afield as for those a…
Katy Carr sees an online future for literature
Skinder Hundal sees the merging of digital and traditional as opening up opportunities for new relationships between artists and a…
Lesley Anne Rose describes Stellar Quines’s journey from analogue to digital – and the bright light at the end of the tunnel
This September Southbank Centre will showcase twenty-three music and dance pieces created by an international band of seventy-two…
Producing a programme for a digital audience requires many of the same skills as any other type of programming, as young people in…