At a time when museums are facing increasing external pressures, Mike Keating shares how a major new project has inspired children…

As Liverpool stages Eurovision on behalf of Ukraine, Jenny Elliott considers the lure, risks and opportunities inherent in large-s…

As part of our series of articles on widening participation, Elma Glasgow explores why the arts fail to engage ethnically diverse…

Digitising collections is an ongoing challenge for museums, as evidenced in the latest National Museum Partnership report. Fi…

In the competitive field of fundraising, digital gift giving has been experiencing a boom, as Stephanie Clark explains.

Most people in the sector don’t need to be analysts but they do need the insight to make changes that speak to audiences. He…

Impact investments aim to support creative ambition and cultural projects to the benefit of society, but Seva Phillips is always a…

In response to Covid, Phil Douglas developed a training offshoot that was not only a financial lifeline but an essential resource…

In the next 30 years, a record £5.5 trillion is set to be transferred between generations, as either inheritance or gif…

All arts organisations are under pressure to diversify income. In the latest in our series of case studies looking at strategies b…

In Culture Minister Lucy Frazer's first address to the sector, she highlighted the skills gap facing the creative industries….

A new report on a little understood artform – Mela – has been launched this week. Ajay Chhabra shares why this is such…

The 1982 publication ‘The Arts of Schools’ was hugely influential with local education authorities and arts profession…

If you want to raise awareness of your commercial offering to your audiences, there are some simple things you can do to your webs…

Making the ask, in person, to a major donor can be one of the most stressful parts of fundraising. Bernard Ross summarises the fiv…

Linda Cockburn shares how bringing digital culture into Coventry’s libraries is building communities and helping to bridge a…

In a radical move, Artsadmin is offering a year-long contract for an artist to undertake place-based research. Patrick Jowett has…

Flexible working is a necessity if you want a workforce that’s diverse, inclusive and creative, says Sholeh Johnston. 

Birmingham-based Flatpack Festival has adopted a four-day week on a permanent basis following a six-month trial. Neil Puffett&nbsp…

Are the arts locked in a permacrisis? How do we survive it if so? How long until we get back to 'normal'? Join Robin Cantr…

A new report on the personal experiences of artists working through the pandemic aims to understand the long-term impacts on the c…

To mark International Women’s Day, and in response to colleagues feeling 'frozen out' of academia, Lizzie Coombes, G…

In the cultural sector, leaders too often fail to reflect the diversity of society – in ethnicity, gender and disability. So…

Working in Middlesborough’s cultural sector for the first time, Charlotte Nicol was blown away by the energy. Here are her t…