
Arts funding: Why now is the time for philanthropy
Figurative is a not-for-profit organisation exploring inventive business and funding models for the cultural and creative sector….
Figurative is a not-for-profit organisation exploring inventive business and funding models for the cultural and creative sector….
… or live-streamed. Five years after the Covid lockdowns, Jason Jones-Hall argues that the best way to understand, appreciate an…
Oily Cart has over 40 years’ experience creating immersive sensory shows – in-person, responsive and close-up. When the pandemic…
There are lots of new curatorial opportunities coming up in the museum sector, aimed at ensuring a broader range of perspectives,…
Mathew Russell and David Shearing are directors of Havering London. When their bid for London Borough of Culture was unsuccessful,…
Almir Koldzic is director of Counterpoints Arts, an organisation focused on migration and social change. Here he shares the specia…
In the second of this series looking at the challenges of producing dance, ’Funmi Adewole, Rachel Krische and Efrosini Protopapa…
This week, the Leicester Music Conference is back, bringing together artists, industry professionals and music enthusiasts to deba…
As the landscape of research collaboration evolves, NCACE’s Suzie Leighton examines how research can fuel creative activism – wi…
Researcher Susan Oman spent two years embedded within DCMS on a policy fellowship. Here they explain why the resultant digital pol…
It is possible to operate a free-to-access museum without government funding, but it comes with significant challenges, as Trish J…
AI is no longer a future concern – it’s already transforming how arts organisations connect with audiences, create work, and ope…
Despite a world-class museum sector and a complex history of migration, Britain does not have a permanent museum exploring the mov…
Perched on the English Channel, Hastings attracts considerable migration. But, as Dee Haughney shares, the work of a trailblazing…
Leaders of cultural organisations face the constant question of how to allocate limited time and resources effectively. Robin Cant…
A new report on the intersection of creativity and technology – CreaTech – is published this week. Its findings, according to…
What happens to a library’s capacity for creative expression and innovation when knowledge is shared among nine services? asks T…
As 2025 gets into swing, the year ahead will bring a raft of events that will have significant implications for the arts and cultu…
How can we promote fairness, spark collective imagination and work towards a more just and resilient future together? asks Rachel…
It’s tempting to dismiss digital sustainability as too big of a challenge to tackle, writes Substrakt’s Zosia Poulter. But the…
Katy Rubin, director of The People Act, considers how to bring government and citizens together into creative collaboration for ef…
The government published its Civil Society Covenant Framework last autumn. Jason Jones-Hall of the cultural placemaking organisati…
Marie McPartlin is director of Somerset House Studios where she curates a space in the centre of London which hosts more than sixt…
Daniel Fulvio is director of community partnerships at Rambert. Here he shares a pioneering dance project that aims to equip young…