Intelligent risk-taking
In the second of three articles exploring how cultural organisations can use data creatively, Baker Richards’s Deputy CEO, David R…
In the second of three articles exploring how cultural organisations can use data creatively, Baker Richards’s Deputy CEO, David R…
At £1bn a year, local government is still the major funder of public culture. But local authorities are facing difficult decision…
Reflecting on the new book Pandemic Culture, Stephen Dobson, director of the Centre for Cultural Value, argues we now need smarter…
Can creativity have an impact on the rising issue of loneliness and isolation? And if so, asks Jessica Plant of Creative Lives, ho…
In our series of articles looking at changing workplace culture, Fun Palaces co-director Amie Taylor explores the challenges and b…
As a report published this week shows, the cultural sector is not a financial drain, it’s a driver of growth and opportunity, wr…
As chief technology officer for The Audience Agency, Stephen Miller is often asked questions about technology and AI. Here are the…
Following the announcement this week that funding for the Creative Communities programme* has been extended until 2027, Lauren Bak…
Two Queens, an artist-run gallery in Leicester, is now facing an existential crisis. One option to overcome its precarity and secu…
As the first Associate Director of Arts and Culture at the University of Southampton, and the Director of Turner Sims concert hall…
Collaboration drives opportunity, say Lucy French and Tom McKenzie. Here they discuss how collaborative and social enterprise…
In the first of a series of articles exploring what it means to be data-driven, David Reece argues that, while data is a powerful…
When it comes to bid writing, many grant givers demand predicted impact. But for Lucie Davies and Alex Mayer, there is profound va…
Cuts in local authority spending are having serious impacts on communities. But, as David Alcock argues, they could throw up a onc…
A good partnership is based on a few basic principles. But, as Jason Jones-Hall argues, it cannot be achieved without a partnershi…
This week a report* on the state of the creative health sector in London has been published. Here, its author Dr Rebecca Gordon-Ne…
Orchestras for All exists to fill a gap in music education. With its deep commitment to creative inclusivity, Katie Villa&nbs…
As the new academic year gets underway, Robert Dingle reflects on how collaboration between museums and schools can provide a rich…
UP Projects aims to combine artistic excellence with social value. But, asks Emma Underhill, can it also influence…
Fiona Morris explores the wide-ranging benefits of arts organisations building place-based partnerships.
Universities and creative industries may seem unlikely bedfellows, but their potential – in partnership – to catalyse…
Among the thousands of art lovers that flocked to the Edinburgh Festival last month was a British Council delegation of global cre…
There has been a lot of talk about the future of UK arts funding over the summer. Fran Sanderson has been assessing various fundin…
Anyone involved in marketing, or creating websites or digital products will know the phrase ‘You are not your customer&rsquo…