Letter: Team players needed
John Mathers warns that without brand ‘management’, the creative and cultural sectors could see themselves going the w…
John Mathers warns that without brand ‘management’, the creative and cultural sectors could see themselves going the w…
Alan Cleaver responds to ArtsProfessional's revelation that Arts Council England used more than £10m of spare capital fu…
The leader of one of England’s National Portfolio Organisations speaks out about transparency, whistle-blowing, the curse of…
The arts and the other creative industries may not always make comfortable bedfellows, but there are enough good reasons for them…
Liz Hill reflects on a Warwick Commission debate which revealed the enthusiasm of the creative industries for better creative and…
Liz Hill tells the Culture Media and Sport Select Committee why she believes ACE can’t be trusted with the task of Rebalanci…
Liz Hill concludes that Arts Council England’s ‘This England’ report is based on a carefully constructed analysi…
In an era of cuts, what choices would you make? Three arts professionals make the case for their priorities.
If the arts are to be relevant to people’s lives, the creative experience and access to subsidy must be available to more th…
Rich Hadley believes that cultural organisations must lose their "remote, elitist, rarified, out of touch and unyielding"…
Arts Council England's update of its 10-year 'strategic framework' makes for sober and serious reading. But while ther…
If ‘access for everyone’ is the policy goal, then regional funding is the elephant in the room, says Liz Hill.
The arts sector is missing the mark in making its case to the wider public, says Liz Hill. In her session at the Shift Happens con…
Marcus Romer offers a suggestion to anyone who wants to find out how they will be working three years from now.
Kevin Smith asks whether we’re comfortable with companies like BP being associated with some of the most prestigious arts in…
Ivan Wadeson sees patience and planning as necessary prerequisites to campaigning for public support.
Eleonora Belfiore shares her thoughts on the public value of culture.
Dan Eastmond explains why he walked out of the What Next? conference.
Nick Williams says the language of the arts sector is turning audiences off.
Juliet Brain sees What Next as a chance to put aside creative egos and work for the common good.
Leila Jancovich says let’s not pretend ‘we’re all in it together’
Laura Drane says What Next? can’t be a single issue campaign, as we'll never agree on what that issue is.
Keith Motson likens What Next? to an Alcoholics Anonymous meeting for arts professionals.
Bethany Rex asks how do we start a dialogue with those firmly not in the room?