Shifting public opinion
A national campaign for the arts should first and foremost aim to win the public’s hearts and minds, says Liz Hill.
Posts
A bid for new audiences?
Chrissie Tiller says cheap ticketing schemes alone will never be the answer to bringing in more diverse audiences.
I Will Survive
The NewcastleGateshead Initiative has plans for the future, explains Carol Bell.
Panel beating is wrong
Jane Beardsworth sees no reason to suspect improper processes relating to ATTL in the North West.
Jobs for the boys
Grant-makers owe it to their staff and those they fund to operate a fully transparent process that leaves no room for allegations…
Honest lessons
Evaluation reports that share the problems as well as the successes are the most valuable of all, says Liz Hill
Clarity, balance and misrepresentation
Kate Wafer and Daniel Hadley defend the ATTL project in Yorkshire.
The spirit and the letter
What do Starbucks, the Leveson inquiry and Arts Council England have in common? Liz Hill makes some suggestions.
Europe invests in the arts
The future looks bright for culture on the continent, but the Autumn Statement provided no such solace for the UK, says Liz Hill.
My experience with art, advertising and plagiarism
Those who steal other artists’ ideas are not worthy of the badge ‘artist’ themselves, says Ian Moir.
In defence of cuts
Nick Forbes of Newcastle City Council is furious that he’s being forced to slash funding to the arts, but it’s about e…
Writing on the wall
The loss of arts cash will be a problem, but the loss of arts education would be a catastrophe, says Liz Hill.
Keep dancing
Linda Jasper calls for the proposed EBacc qualification to include the opportunity for young people to continue to study dance.
London leads the way
The Mayor’s Education Inquiry arrived last month, following extensive consultation with stakeholders across London. But what…
Audience alert
Rich Hadley reflects on the relationships between artists and their public.
Sorry seems to be the hardest word
Liz Hill says shame on Arts Council England for its reaction to public concerns over ATTL
Bringing the board to the forefront of fundraising
Christopher Goodhart asks how board members can make more of their fundraising role.
New ideas about audiences
AP has always shared the best practice on audience development with the sector, says Liz Hill.
What kind of Leaders do we want?
Who should lead our arts organisations? asks David Dixon
Narnian Winter?
Dany Louise wonders how long the winter of cuts will last
What I Wrote to a Parliamentary Committee
Artist Matt Baker on misinterpretations of his contribution to a parliamentary review of Creative Scotland.
The Optimism and Excitement of Creative Possibility
Matthew Linley of Eastern Angles reflects on ITC's summer conference
Public scrutiny and transparency matters
Public funding bodies need watchdogs, says Roger Tomlinson.
AP stands firm against ACE allegations
Liz Hill responds to Cluny Macpherson about ATTL Yorkshire
