Sorry seems to be the hardest word
Liz Hill says shame on Arts Council England for its reaction to public concerns over ATTL
Liz Hill says shame on Arts Council England for its reaction to public concerns over ATTL
Christopher Goodhart asks how board members can make more of their fundraising role.
AP has always shared the best practice on audience development with the sector, says Liz Hill.
Who should lead our arts organisations? asks David Dixon
Dany Louise wonders how long the winter of cuts will last
Artist Matt Baker on misinterpretations of his contribution to a parliamentary review of Creative Scotland.
Matthew Linley of Eastern Angles reflects on ITC's summer conference
Public funding bodies need watchdogs, says Roger Tomlinson.
Liz Hill responds to Cluny Macpherson about ATTL Yorkshire
Cluny Macpherson says Yorkshire's ATTL programme was transparent
The subsidised arts sector lives in fear of the hands that feed it, says Liz Hill
Susan Oman says the measures for assessing national wellbeing will be irrelevant before we even begin measuring
It's time for some changes, says Liz Hill
I share Liz Hill’s surprise (AP256, p4) at Jeremy Hunt’s endorsement of the new National Funding Scheme, as I am chall…
In responding to Viram Jasani’s comments (AP256, ‘A Different Agenda’) I don’t believe it would be h…
Chrissie Tiller reflects on two occasions recently when she held stakes and took part
Just giving? It ain’t that easy, says Liz Hill.
Dear Subscriber, While colleagues are taking time off to avoid the rain-soaked shires and cities of Britain over the next few week…
Viram Jasani sees ACE’s rejection of the Asian Music Circuit’s NPO bid (AP255) as symptomatic of its ambivalence towards race…
Mindee Hutchinson highlights the importance of social nurturing when running arts activities with young people
As arts organisations endure the knock-on effects of funding cuts, Lise Smith discusses the potential risks of skimping on salarie…
Being well-endowed isn’t necessarily a good thing, argues Liz Hill
With many ITC members having contributed to the development of the Arts Council’s new approach to touring, I was surprised t…
Greg Klerkx explains how the legacy of Creative Partnerships is being carried on