AP does artists a disservice
Cluny Macpherson says Yorkshire's ATTL programme was transparent
Posts
Feel the fear
The subsidised arts sector lives in fear of the hands that feed it, says Liz Hill
The public debate that was never ours
Susan Oman says the measures for assessing national wellbeing will be irrelevant before we even begin measuring
Endings and beginnings
It's time for some changes, says Liz Hill
Digital wheel reinvention
I share Liz Hill’s surprise (AP256, p4) at Jeremy Hunt’s endorsement of the new National Funding Scheme, as I am chall…
Commitment remains
In responding to Viram Jasani’s comments (AP256, ‘A Different Agenda’) I don’t believe it would be h…
A slice of the cake
Chrissie Tiller reflects on two occasions recently when she held stakes and took part
Dam busters
Just giving? It ain’t that easy, says Liz Hill.
The dawning of a new age for ArtsProfessional
Dear Subscriber, While colleagues are taking time off to avoid the rain-soaked shires and cities of Britain over the next few week…
A different agenda…
Viram Jasani sees ACE’s rejection of the Asian Music Circuit’s NPO bid (AP255) as symptomatic of its ambivalence towards race…
The art of inclusion
Mindee Hutchinson highlights the importance of social nurturing when running arts activities with young people
Weakly waged
As arts organisations endure the knock-on effects of funding cuts, Lise Smith discusses the potential risks of skimping on salarie…
Where size doesn’t count…
Being well-endowed isn’t necessarily a good thing, argues Liz Hill
On tour and on track
With many ITC members having contributed to the development of the Arts Council’s new approach to touring, I was surprised t…
The creativity gap
Greg Klerkx explains how the legacy of Creative Partnerships is being carried on
Making waves
Liz Hill on why people power is good for the sector
Warning signals
Charlotte Jones raises questions about Arts Council England’s recent choice of projects to receive its Strategic Touring funds
Wellbeing behind bars
Dr Alan Clarke shares what he has learnt from a career running arts projects in prisons across Europe
Creative therapy
The creative arts can open up emotions and enable self-reflection. Sabine Sandberger shares her experiences of running a therapeut…
The Artist as Social Entrepreneur
Ben Irvine looks to Bob Dylan to make the case for why we should make ethics more economical and the economy more ethical
13 Hours: lucky for some
William Wong asks what can the arts do more of and differently to encourage mindfulness?
Practice what you preach?
Hannah Hull discusses the paradox of being an arts and wellbeing advocate
When you hear their voice
Bruce Wall gives a personal account of a prison-based theatre project in Malta that turned into a sell-out show
How it’s done
Rebecca Ritchie-Timms reflects on Umefolk festival – the first cultural event she just can’t seem to find fault with
