Catch 9.2
So what if ACE is creative with its accounting? Liz Hill makes some suggestions
Posts
Keeping supporters sweet
Christopher Goodhart extols the virtues, and the business case, for ensuring data accuracy in supporter communications
Why Create? A psychosocial question
In the final installment of a blog series examining the psychological payoff of art and creativity, Cara Courage considers the imp…
Watch the grass grow
Kenn Taylor argues public institutions could learn a thing or two from artist-led models
Everyone’s doing it
Liz Hill finds a silver lining in the recessionary cloud
Exclusive marketing
Glen Pearce asks: In an increasingly competitive media landscape does ‘exclusive’ coverage still hold value?
Why create? The audience and art
In a blog series examining the psychological payoff of art and creativity, Cara Courage reflects on why we look at art
Why we’re still better than robots
Al Lyle sums up what he learnt about music and the brain at a recent seminar
Alive and kicking
The arts sector is still a force to be reckoned with, says Liz Hill
Out in the cold
Why is theatre treated as the poor relation to film when it comes to tax incentives for entrepreneurial investment, asks Adam Kenw…
Not looking out for the little guy
Mhora Samuel examines how budget VAT increases will affect listed theatres
Creativity Ltd.
Chrissie Tiller responds to Culture Capital Exchange’s Creativity and Business: Connectivity, Values and Interventions conferenc…
If you don’t ask
Is the arts and culture sector missing a trick? Christopher Goodhart urges wider action to promote legacy giving.
Why create? The artist and art
In a new series looking at the psychological payoff of art and creativity, Cara Courage begins by examining why artists make art.
Gambling on success
The arts sector should be hoping that Camelot succeeds, says Liz Hill
Defining volunteers
I read with great interest the article on internships in AP249. However, Sean Egan and Paul Jennings have overlooked a fourth cate…
Henley reviewed
The recently published Henley Review of Cultural Education could have wide-ranging implications for the arts sector. AP invited Ke…
What’s in a name?
Ellen Carr asks at what point can you call yourself a professional?
Fund-raising the game
Christopher Goodhart believes the route to more successful fundraising comes through thinking laterally & testing new channel…
Not ‘because we’re worth it’
David Dixon unpicks the issues surrounding investment finance for cultural organisations
When art becomes a dirty word
Mindee Hutchinson asks when did the art world stop taking responsibility for the art it promotes?
Open minds fill pockets, dudes
The arts sector should be more open to ideas from elsewhere, suggests Liz Hill
They know where you live
Laura Brown questions whether the regional PR officer’s ‘best contact’ really is one of those national names
Aboard the learning boat: Expose yourself
Nick Sherrard explains why becoming a better collaborator is a lot more like having your hair cut than getting plastic surgery
