Making the break
Jessica Hope explores the potentially abusive relationship between a press officer and her iPhone
Posts
Speak now or…
Liz Hill urges the sector not to miss the wellbeing boat
Case by case
Your recent article ‘Protecting jobs, promoting best practice’ (AP246) included information about Volunteering England…
Critical concern
Glen Pearce details the frustrations of theatre’s most influential audience
Risky business
Playing it safe may be the most dangerous option
More than bread and circuses
Chrissie Tiller argues for the value of an ‘austerity Olympics’
Aboard the learning boat: How to walk out of a meeting
In the first installment of our new series, Nick Sherrard reveals his unusual New Year’s resolution
Reviewing the regions
Kenn Taylor examines the unsavoury side of arts media coverage in regional Britain
Hard times
Liz Hill reflects on internships and volunteering
Don’t forget the indies
FROM Ian Willox, Managing Director, Phonecast Ltd Mark Bell’s description of the BBC’s continual conversation with the…
Losing the graduate edge
Rebecca Ritchie Timms gives a graduate’s reaction to ticking funding boxes
Are you sitting comfortably?
Ian Lambert says latecomers should know their place – at the back
Money for nothing
Christopher Goodhart recommends a simple way to increase your fundraising at a time when every penny counts.
Goodbye Arts & Business, hello…what exactly?
David Dixon volunteers suggestions for the future of arts fundraising
Take it on the chin
Liz Hill asks why XXXXXXXXXX [redacted] if there’s nothing to hide?
A taxing myth
I have been a fundraiser since 1988, when I joined Oxfam, and have worked in cultural fundraising since 1991. So the question of w…
You can’t complain if you don’t play the game
Dany Louise issues a rallying cry to artists
The critical role of the usher
Should an usher pass comment on a show? Ian Lambert weighs ups the pros and cons.
Awards for All (if you’re in London)
London-centricity still overshadows theatre awards, says Glen Pearce
A turn for the better?
Hilary Gresty reflects on the ‘complex behemoth’ that was put in place to repair the fragmentation of the visual arts sector.
Try your luck
Competing for funding isn’t quite the same as applying for funding, says Trevelyan Wright
Generations apart?
Where does ‘inclusion’ fit in the parallel landscapes of ‘youth arts’ and ‘older people’s arts’, asks David Slater
Offending the audience
Will sitting quietly in the dark appeal to the next generation of theatre-goers, asks Ellen Carr.
Good values and money
The cost of change isn’t a good enough excuse for ignoring climate change
