Arts activism and the earth crisis
In the first of our series looking at activism in the arts, Bridget McKenzie reflects on the relationship between creative practic…
Posts
There is plenty of room in museums for all of us
In response to criticism of new guidance on trans inclusive practice in museums, its authors Suzanne MacLeod, Richard Sandell, Sha…
The perils of being an early career theatre director
Freelance writer and director, Jane Prinsley explains the difficulties facing young people like her trying to set sail in an…
Trans inclusion guidance for museums is high risk
Earlier this month, the University of Leicester published guidance on trans-inclusive practice for museums. Denise Fahmy and Audre…
Leeds festival: The environmental hangover
“Unless someone like you cares a whole awful lot, nothing is going to get better. It’s not.” So says The Lorax i…
Mental health of arts professionals needs urgent action
The many stresses experienced by people working in the arts are frequently – and rightly – in the news. David Cutler t…
Cultural renaissance in Bangor
Alison Gordon believes culture is vital to the regeneration of Northern Ireland's seaside towns, but ongoing cuts to the…
British Museum: From looter to looted
From the perspective of Greece or Nigeria, the word irony hardly does justice to the sad spectacle unfolding at the British Museum…
Northern Ireland: Resisting the cuts
In April, artists and supporters were galvanised to sign a petition, eventually numbering more than 12,500 signatures, resisting c…
Theatre’s model is broken
In the face of increasing numbers of theatre leaders leaving their roles, David Micklem thinks it’s time the whole business…
We cannot afford to undervalue arts and humanities degrees
Hardly a day goes by without a fresh attack on arts and humanities degrees as ‘low value’. Stuart Croft, Vice-Chancell…
Dismay at high turnover in diversity leaders
With the recent resignation of the BBC’s Head of Creative Diversity, Bectu’s Philippa Childs thinks it’s timely…
The forgotten creatives: Why visual artists deserve more
The Creative Industries Sector Vision unveiled last month had one glaring omission – visual artists. Christian Zimmermann th…
Do the arts nurture hostile environments?
Are the arts as liberal, tolerant and inclusive as we’d like to think? Or is the sector authoritarian, stifled by group-thin…
It’s time we moved to Denmark
What can the UK learn about cultural policy from its tiny Nordic neighbour? Robin Cantrill-Fenwick finds out – stopping off…
A hostile environment for migrants
Projekt Europa is an international theatre company committed to celebrating the lived experience of migrants in the UK. Its direct…
A framework for innovation to thrive
The Creative Industries Council – the joint forum between the creative industries and UK government – played a central…
Heading in the right direction
Christopher Smith welcomes the government’s Creative Industries Sector Vision published this week, saying it is a recognitio…
Age discrimination in the art world
Though opportunities for young artists may be laudable, Liane Lang thinks age boundaries are discriminatory.
The future of cultural devolution
The UK is among the most centralised and unequal countries, which has a profound impact on where culture and creativity has flouri…
Community arts should not be segregated from ‘real’ art
This week Fun Palaces celebrates its tenth anniversary. During that decade, as Kirsty Lothian and Amie Taylor write, they have bec…
The future of the London Sinfonietta
In response to ACE's decision last November to cut the London Sinfonietta's funding by 41%, Chief Executive Andrew Burke&n…
Safeguarding artistic freedom
Last week in Stockholm, Josette Bushell-Mingo hosted the opening ceremony of IFACCA’s 9th World Summit on Arts and Culture….
The coronation: A showcase for ‘world class’ orchestras
If there is one thing the UK does well it’s royal celebrations, and none come bigger than a coronation. But, as Mark Pembert…
