
How to support democracy in times of political extremism
Watershed’s CEO Clare Reddington learned some important lessons from a potentially destabilising event at her venue last week. S…
Watershed’s CEO Clare Reddington learned some important lessons from a potentially destabilising event at her venue last week. S…
As the demands on independent producers rise, concerns around their mental health and well-being increase too. Nassy Konan and The…
For the second consecutive year, the Cultural Learning Alliance has published a ‘report card’ on what has been happening to Ex…
The latest ACE review of Equality, Diversion and Inclusion revealed the diversity of audiences is very low in comparison with the…
In light of President Trump’s funding decisions in the USA, Cause4’s Michelle Wright and Thomas Williams explore how cuts to U…
Scraping artists’ work is like automating shoplifting, says chair of DACS, Margaret Heffernan. She argues that current copyright l…
Amid funding cuts, operational challenges and shifting audience behaviours, David Reece explores how the arts can take inspiration…
If the UK is to remain a global leader in the performing arts, leadership needs a rethink – not just in terms of who holds the rol…
In the first of our series reflecting on the pandemic five years on, Splitpixel’s Lauren James is sad that some of the lessons l…
The announcement last week of additional funding for the arts was very welcome news but, says Matthew Cleaver of Anvil Arts, more…
Taking shows into classrooms and community halls is vital to breaking down barriers and redressing the balance in arts provision,…
The new Soft Power Council has been set up in response to a volatile world at a time when democracy is in peril. So, writes Meliss…
The Cultural Policy Unit is a new, independent think tank dedicated to formulating bold, imaginative and practical policy ideas in…
In response to Nick Hytner’s recent dismissal of the concerns of a new generation of artists as ‘ill-informed’, Chrissie Til…
Splitpixel’s Lauren James has been considering whether now is the time to leave an increasingly hostile and abusive social media…
Due to new Charity Commission guidance and increased demands from funders, charity trustees are facing new challenges, says Cause4…
As the UK’s creative industries are an increasingly international part of the UK economy, Bernard Hay of the Creative Policy and…
With Donald Trump’s return to the White House, Robin Cantrill-Fenwick looks at what may lie ahead for arts leaders in the USA.
Dance needs decolonising for its long-term sustainability. But what does that mean? asks Sarah Shead, director and creative produc…
Harry Hyman, founder of the International Opera Awards, reviews the state of opera in the UK and outlines what needs to be done in…
The culture sector has suffered years of neglect. But David Micklem is infused with optimism about what might lie ahead.
As communities heal from far-right riots, how can the arts offer answers to bridging our divides? asks Jake Puddle.
The UK’s concert halls are a valuable economic resource we need to protect, says Kevin Appleby, chair of the British Association…
With all the coverage of last week’s COP29 in Azerbaijan, it might feel like there’s nothing new to be said. But Caroline Luca…