In April, The Space will formally join ACE’s National Portfolio as an IPSO (or Investment Principles Support Organisation)….

Project to create new ‘sensory logic’ in museums, by considering the role the senses play in the collection and displa…

Filmed theatre is still a relatively new medium – between film and live theatre. So how do we develop the visual language to…

With ticket price differentiation reaching new extremes, David Reece considers the longer-term consequences and asks if we should…

When picturing a leader, you might have a clear image of how they look, their age and the size of their company. But Lynn Blades t…

In the fast-changing world of digital, people love to forecast. But rather than focus on the future, Katie Moffat thinks you shoul…

At the heart of the cost-of-living and Covid storm, children and young people have fewer opportunities to engage in arts and cultu…

We all need to work harder to ensure that culture is fully accessible to disabled audiences. When we do, there are positive spinof…

Leeds Playhouse runs courses for D/deaf and disabled artists wanting to enter the theatre. Rio Matchett shares what they have…

A new report from Oily Cart explores making theatre for and with children who have the most barriers to access. Ellie Griffiths su…

Arts Council England unveils its vision for improving access for D/deaf, disabled and neuro-divergent audiences, saying the curren…

Many companies are making brilliant accessible work and universal content that people want to see. But, as Harmeet Chagger-Khan ar…

A new three-year programme from the Theatres Trust aims to support theatres at risk of permanent closure. 

Trade union’s new guide provides advice to dance companies on how to reach diverse talent, making auditions and rehearsals a…

The date is two years later than outlined in the government’s National Disability Strategy, while an existing access card ex…