
How we doubled attendance at the UK’s most northerly arts centre
By working in partnership and refusing to patronise audiences, Lyth Arts Centre in Caithness has attracted record numbers, says Ch…
By working in partnership and refusing to patronise audiences, Lyth Arts Centre in Caithness has attracted record numbers, says Ch…
A play at Gloucester Cathedral with a cast drawn from local people sparked real change among participants and spectators alike, wr…
New research finds that a lack of play areas and parking were the most common reasons for negative experiences when taking childre…
New figures indicate the reversal of a three-year pattern of declining visitor numbers at English institutions – and new hop…
The Contact Young Curators programme gave Wez Thistlethwaite the opportunity to re-engage his creative muscles by co-curating a wo…
The GLA has agreed to underwrite a budget shortfall of up to £12m, which is expected despite a £9m a year boost in fun…
An LSE researcher said children’s development is being thwarted by Government policy, but argued the situation could be impr…
While some in the UK may believe we have little to learn from European collaboration, Anne Torreggiani and Jonathan Goodacre have…
What might a no-deal Brexit do to the independent grassroots networks that currently flourish across the continent, asks Martin Co…
The V&A Director warned against getting “too romantic about what Stratford was like before the Olympics”.
Artistic excellence and effective governance are key to the success of major public cultural programmes, writes Nigel Hinds.
An analysis of motivations helped a contemporary music ensemble upend received wisdom about its audiences. Celia Duffy and Charlot…
The V&A Director is unconvinced by arguments for a dedicated prayer room in V&A East.
The LightNight festival initially aimed to showcase Liverpool's artists to outsiders – but it is now more concerned with…
Funders are increasing their demands for data from arts organisations while only paying lip service to quality in their own statis…
The place in which a cultural organisation finds itself can determine how it thrives, survives or even dies, but many organisation…
Engaging with young people is a sound investment in future audiences, says Annabel Thomas – provided you are clear about why…
New research finds only 4% of bookings that included wheelchair access needs were made online, compared to 60% of all transactions…
Culturally diverse work is becoming more prominent, but the infrastructure supporting BAME artists still needs to improve, argues…
The UK Statistics Authority has endorsed AP’s challenge to Arts Council England over the reporting of audience numbers in it…
There are queues around the block for a chance to nab the Citizens Theatre's 50p tickets – an offer that’s availab…
Lucy Garland explains how her company makes theatre accessible to adults with profound and multiple learning disabilities.
Challenging the notion of a ‘hard-to-reach community’ in Luton, Imrana Mahmood explores the need to create pathways th…
Anne Torreggiani explains why participating in an EU-funded Erasmus programme has prompted her to re-evaluate the ability of inter…