Programming and partnerships
Ian Ritchie believes that the City of London Festival’s success over 50 years is based on taking programming risks and explo…
Ian Ritchie believes that the City of London Festival’s success over 50 years is based on taking programming risks and explo…
Julian Rudd talks about his experience of partnership-working and why it is the backbone of the London Mela.
South Cambridgeshire Council is to end the £70k annual funding which currently pays for seven Arts Development Managers to b…
Cultural organisations need to tailor their offer to help schools achieve their individual goals in a cost-effective way, accordin…
Oldham Libraries and the Oldham Coliseum Theatre have been working together while the theatre undergoes rebuilding work. Andrea El…
In 2009, Monica Ferguson proposed to Arts Council England that what Milton Keynes needed was a 10-day festival to shake up the sta…
Theresa Bergne considers the implications of national policy for public art at a local level, and describes the impact being felt…
Greg Klerkx explains how the legacy of Creative Partnerships is being carried on
Alex Fradera and Edmund Harriss explain how theatrical techniques can help improve communication skills, inspire collaboration and…
Mary Paterson reflects on the different meanings of collaboration
Claire Gulliver shares the experiences of a region-wide programme to build collaborations between artists and museums
Following the closure of Creative Partnerships, Martin Heaney looks to new collaborative projects run by artists, to examine the l…
This year’s British Dance Edition is hosted by eight partners, from all across London. Lise Smith describes their experiences of…
Annabelle Campbell and Andy Horn share their experiences of the partnership between the Crafts Council and Birmingham Museums and…
The Royal Northern College of Music and Opera North have a long history of working together. Liz Rowley explains how the formalisa…
Lucy Cash and Becky Edmunds worked together on What If… festival in 2010 and Co-Curated What Matters at the Siobhan Davies Studi…
Nicky Webb describes the birth, development and culmination of a European collaboration that has led to dialogue and exchange betw…
Andrew Ormston reflects on scientists’ appetite for collaborations with artists
Andrew Ormston explains how hand-in-hand scientists and artists are colonising new, barren land. Just like fungi and algae
Nick Sherrard explains why becoming a better collaborator is a lot more like having your hair cut than getting plastic surgery
Jennifer Cooling explains why buddying up to your local tourism body could encourage a wonderful, mutually-beneficial relationship
Gavin Barlow explains why forming partnerships and sharing expertise is key to community regeneration
Dee Evans explains the benefits and challenges of ‘full-on’ international co-productions
Steve Moffitt reflects on the role of cultural education in the curriculum, in anticipation of the forthcoming Henley Review