People need places (and vice versa)
Caitlin Warfield writes that the future of culture and business in urban centres depends on their ability to work together.
Caitlin Warfield writes that the future of culture and business in urban centres depends on their ability to work together.
Sam Wilkinson and Rosie Murdoch explain how a speed dating approach to partnerships led to artworks and outcomes beyond their expe…
Fran Sanderson says building back better means looking beyond what – and who – we know in funding to demonstrate the i…
The Audience Agency shares its experience of the pains and gains of collaboration and partnership working.
When we foster collaboration between the arts and research, we unlock untold benefits for professionals in both sectors, Christoph…
Lord Alan Howarth reflects on a journey in arts and healthcare that has a promising future.
Erica Ramsay, Geraldine Montgomerie and Holly Dannhauser explore the challenges faced by a local arts in healt…
Making digital connections to create immersive work played to all our strengths, Sarah Ellis writes.
Europe’s largest ethnic minority is perhaps the most marginalised in the arts. Carl Woodward says addressing this means chan…
Performers and providers often treat young children as a passive audience. Dr Angela Pickard says they can actively create and eng…
Hull’s leaders want to build a ‘collective legacy’ for its City of Culture year. Victoria Bissett and Michael Ho…
Can a regional theatre make money from online productions? Kelly Johnson says you have to weigh your options and ask for help.
Covid-19 has proved that what worked back then won’t work now. Patrick Towell says true innovation requires attention,…
The theatre industry needed a champion in a time of crisis. National Theatre Scotland answered the call and it’s not turning…
The "ambitious and forward-thinking" document will be the cornerstone of a bid for UK City of Culture 2025.
Long-distance relationships needn’t limit ambition. Sarah Fisher, Ying Kwok and Lindsay Taylor describe a sustainable approa…
The UK desk of the European Union programme will close in March as funding is focused on the pandemic response.
As we say good riddance to 2020, Liz Hill takes a glass-half-full look at progress in the cultural sector this year, and what the…
In a constantly changing landscape, the ability to understand and respond to audiences’ changing preferences and behaviours…
A new study warns the sector faces a unique battle against "the double consequences of Brexit and Covid-19", with commun…
Creativity, compassion, collaboration and a tendency towards efficiency meant arts workers were highly responsive in a time of cri…
Research England will bankroll the partnership between four regional universities and The Culture Capital Exchange following a suc…
Adrian Vinken shares how the two biggest developments of 2020 – Black Lives Matter and Covid-19 – have affected commem…
Festival UK* 2022 is not a ‘celebration of Brexit’ but a celebration of the place we call home, argues Sam Hunt.