Patricia Lovett makes the case for protecting and promoting historical crafts – an industry larger than British textiles.

The Heritage Alliance is calling for greater recognition and funding to support the historic places and objects that underpin crea…

Katy Sadler explains how a festival in one of Birmingham’s busiest thoroughfares enables craft and design graduates to test…

WHALE Arts’ Leah Black explains how her career has been shaped by artists with a strong business understanding and her preci…

Craft NI is now the sole representative body for artists, designers and makers.

As he opens the fifth British Ceramics Biennial, Barney Hare Duke tells us about his career, which started in the pottery studio.

Cockpit Arts’ programme of support for apprenticeships in the craft sector is delivering tangible benefits among micro craft…

In Birmingham, craft projects are not only helping young people learn new skills but giving their self-confidence and resilience a…

The number of students choosing craft-related subjects is dwindling, research has revealed. Annie Warburton describes the action T…

A manifesto for craft education aims to raise the profile of craft-based subjects in schools, where participation has declined by…

Director of Craftspace Deirdre Figueiredo names those who have inspired her throughout her career.

A new government-backed craft apprenticeship initiative could help reverse falling participation in craft-related design and techn…

Emma Daker describes a jewellery-making project which has successfully integrated some migrant and refugee women into the com…

Annabelle Campbell and Andy Horn share their experiences of the partnership between the Crafts Council and Birmingham Museums and…

A diverse board can be of great benefit to an organisation. Charlotte Jones highlights the importance of having board members from…