A project in three Manchester secondary schools engaged students in discussions about mental health and enabled them to develop th…

Losing NPO funding was devastating for Dance Manchester, but it has liberated the company to pursue its own path driving placemaki…

Bespoke segmentation modelling helps Sadler’s Wells talk to its audiences with personalised precision across venues and genr…

At the very heart of Jasmin Vardimon Company is a dedication to education and nurturing talent. Lauren Baldock explains who benefi…

The previous Director of Dance UK has returned to the country after a stint working for Orlando Ballet in Florida.

Mira Kaushik reveals how an introduction to experimental Indian street theatre in the 1970s and conversations with a vagrant bohem…

A barefoot dancer and a 90-year-old juggler: Sean Gandini reveals the people who have shaped him and his career.

Music and dance leaders have implored a Lords select committee to support the introduction of a special arrangement within the vis…

New research found audiences in rural Lincolnshire are hungry for culturally diverse theatre and dance, but the provision isn&rsqu…

In the lead-up to the opening of new venues in Hong Kong’s West Kowloon Cultural District, Anna CY Chan is embracing technol…

How did Sadler’s Wells manage to increase its membership and ticket sales while cutting discounts and other incentives? Seba…

After almost a decade guiding others at the Clore Leadership Programme, Sue Hoyle reflects on those that have influenced her caree…

Dance development agency Pavilion Dance South West will co-ordinate ‘Surf the Wave’, a programme of talent development…

The project marks a change in strategy for funder Sport England, which had signalled its willingness to consider how dance could t…

Birmingham Royal Ballet’s David Bintley remembers Frederick Ashton and others who have shaped and guided his career. 

Scottish Ballet’s first digital season gave the company the opportunity to experiment with new technologies, but would audie…

Although the new portfolio will contain seven more dance organisations, three regional dance development agencies have lost fundin…

Why do boys tend to give up dance classes when they reach their teens? Kate Laho and Natalie Holasz discuss the findings of a…

A European Union-funded dance project won ‘success story’ status from a panel of experts for its impact, creative appr…

Producer Patrick Collier names the inspiring, perceptive and – occasionally – annoying people who have guided his work…

When choreographing a new contemporary dance work for young people, Rosie Kay committed to really listening to their concerns and…

1,000 older people will benefit from the extension of a ‘Dance to Health’ programme involving arts partners including…

Digital platforms enhance audience engagement in museums and galleries but can the same be done in the performing arts? Ben Walmsl…

Election candidates are being asked to recognise and campaign to mitigate the strains facing the dance sector.