Send them to the moon
With a smartphone and a bit of carboard, museums’ aspirations for immersive experiences can reach astrological heights, writ…
Posts
Connection comes from collaboration
Making digital connections to create immersive work played to all our strengths, Sarah Ellis writes.
Coventry 2021 will be ‘a return to live’
The UK City of Culture year will press ahead with a full calendar of festivals and events from May 15 – two days before the…
What ‘watch at home’ gave us
Can a regional theatre make money from online productions? Kelly Johnson says you have to weigh your options and ask for help.
Why ‘selling’ strategically is not ‘selling out’
Purposeful and ethical deaccessioning has funded a digital transformation that is giving a small, London museum a sustainable long…
Reworking what you already have is the opposite of innovation
Covid-19 has proved that what worked back then won’t work now. Patrick Towell says true innovation requires attention,…
Going digital isn’t about technology
The greater success of some arts organisations boils down to a few key ingredients. Money isn’t one of them, writes Ash Mann…
What to do when you’re sick of Zoom
Heidi Wiley and Hélène Gauthier share how they created a virtual venue – and why they think this provides a model for the…
PRS backpedals on streaming licence for small events
A temporary change to its controversial fees has received both a warm welcome and a cold shoulder.
Streaming licences are here to stay
PRS for Music’s controversial new streaming licences were inevitable, writes Phil Tucker. Those who embrace the change will…
Shock and anger as PRS announces streaming licences
The music industry is furious after steep new tarrifs on streaming live events were introduced with little to no consultation.
Re-opening safely and reaching more audiences
A new ticketing system designed by museums for musems is providing free support with the twin challenges of running timed ent…
Why ‘who you know’ doesn’t fit the bill
Supporting creative practitioners with opportunities at this time is vital, but do so wisely, says Guy Armitage. Running an o…
Keep calm and clarify
Rowan Kerek Robertson offers practical advice on protecting yourself and your organisation from online abuse – and what to d…
Artists protest PRS plans for livestreaming licences
The music industry is up in arms over the licensing body’s plan to impose tariffs of up to 17% on live streaming ticket…
In defence of AI in art
Anthony Padgett says artificial intelligence has a role in selecting, curating and even creating art, but the sector must define t…
Distribute your leadership digitally
Long-distance relationships needn’t limit ambition. Sarah Fisher, Ying Kwok and Lindsay Taylor describe a sustainable approa…
The most important people in the Zoom room
Lucy Askew explores the possibilities behind a digital theatre platform that puts first things first, and the digital repertory co…
The path to digital competence
If 2020 has given us anything, it’s a recognition that arts organisations need to engage with technology – and that th…
Bows, strings and IP addresses
Technology has been working miracles delivering live performance online. Jonathan Vaughan asked Julian Hepple about the magic &nda…
Convince them you’re Covid-safe
Audiences are ready to return but they need reassurance to take the first step. A new digital toolkit will help bridge the gap, sa…
How to replicate the concertgoing experience
The much-vaunted idea of liveness relies on two different but equally important types of connection. Peter Ord examines the techni…
Classical and jazz artists are ‘doing badly’ from streaming royalties
Fear of being excluded holds artists back from challenging the major platforms.
More alive than ever before
Despite what you may have heard, theatre isn’t dead. Moving online has made new spaces for creativity and collaboration that…
