Research finds a 'huge range of effectiveness' between different cultural organisations when it comes to web pages focused…

With her experience of working across multiple projects, Sarah Fortescue explores how the sector can deliver what they do best, in…

The institution says its reliance on legacy infrastructure has impacted its ability to restore services quickly in the wake of a m…

Can arts organisations reach new audiences through strategies like digital capture? Recent successes offer insights into the poten…

Empathy is vital in the work of NHS staff, but it's not always part of their professional development. Persis Jadé Maravala i…

Immersive Arts, a UK-wide three-year programme backed by the UK’s four arts councils, expects to support over 200 artists an…

The speed of innovation in the digital world can be hard to keep pace with and, as Katie Moffat writes, this is going to be a roll…

Collections Trust has deleted a link to a terminology guide from its website following accusations that a section on Palestine des…

Many arts organisations struggle to find high-quality trustees, particularly ones with digital or business expertise. A new matchm…

Sam Hornsby and her best friend Mae Yip were sick of seeing young people experience the same lack of access to the creative indust…

Government says it is prioritising the development of a regulatory framework for AI technologies that will promote innovation whil…

Tom Higham is Creative Director of Mediale, passionate about the power of digital technology. His early career was shaped by an ac…

Last week, The Audience Agency announced a merger with fellow sector support charity, Culture24. Here, CEO Anne Torreggiani explai…

Spearheaded by Artistic Director Vicky Featherstone, the Living Archive contains information on every Royal Court production.

The Audience Agency and Culture24, who were both part of ACE's National Portfolio until they lost funding in April this year,…

As cultural organisations address divisive issues in an increasingly challenging social media landscape, some are choosing to leav…

AI is here, and we have to deal with it, says Lauren James. But rather than diving straight in, she advises first giving proper th…

Melissa Thom is the founder of Bristol Academy of Voice Acting. Here, she shares how AI is disrupting the world of voiceover.

If we can find a shared language and inclusive approach to evaluating digital arts and culture, we can tell a better story about t…

The cultural sector is wary of AI. But Jo Burnham thinks a change of mindset can accelerate learning, confidence an…