Opening up the talent pipeline
A group of young creatives have been selected as Creative Entrepreneurs for 2021 on the basis of their potential. Marina Norr…
A group of young creatives have been selected as Creative Entrepreneurs for 2021 on the basis of their potential. Marina Norr…
As the U.Dance National Festival returns in an online format this month, Cameron Ball shares how the event connects the nation&rsq…
Sir Nicholas Kenyon has resigned as Managing Director two weeks after current and former staff went public about their experiences…
The Jess de Wahls controversy has highlighted how tenuous arts organisations' solidarity with transgender people can…
Erin Gavaghan reflects on how the lives of women with experience of the criminal justice system can be profoundly changed by theat…
Jude Kelly shares how a group dedicated to the experience of live congregational events transformed into techies in a two-month tu…
Can using public money to make BAME* entrepreneurs successful be in the public interest if it makes them wealthy too? Kevin Osborn…
To become genuinely inclusive, organisations need to find space to talk. Michael Davidson runs a music education programme where l…
Muslim communities are regularly assailed by poor generalisations and by impoverished stories written by ‘someone else&rsquo…
Many of the UK's highest-funded arts organisations promised change after George Floyd's death. While governance and progra…
The movement is part of a sea change in representation in theatre: "It's comparable to non-disabled people playing disabl…
One year on from the toppling of the Colston statue in Bristol, Phil Castang reflects on how ditching the Colston name for the con…
Kevin Osborne has long been exercised by systemic racial bias in UK arts funding. Last month he produced a panel discussion aimed…
England's National Portfolio Organisations may not be as diverse as reported, with 50 facing possible funding cuts o…
What does it mean to be Black in the arts industry today? Marking the one-year anniversary of the death of George Floyd, Gabrielle…
Just 7% of disabled arts professionals are in full-time employment according to a new survey that paints a "shockin…
Artists contracted for the ill-fated project want the Centre for Chinese Contemporary Art closed, alleging a lack of appropriate r…
The handbook aims to improve representation of disabled people in the music industry as a survey finds half have withdrawn job app…
Andy Robertson argues for the cultural sector to become an equal stakeholder in developing a future for Scotland.
Two new programmes aim to move organisations beyond the statements of solidarity expressed last summer through distinct but comple…
The heritage organisation says it was asked to present to the report's commissioners but its contribution wasn't recorded.
Amanda Huxtable reflects on how racial trauma has shaped leadership within the cultural sector, taking on the responsibility for c…
The distribution of Arts Council England’s Culture Recovery Fund has attracted widespread criticism, not least from those ca…
London Mayor commits to supporting self-employed creatives who are under pressure to accept poorer terms once government support i…