The Moscow Theatre of Drama and Comedy – on the Taganka – became the most radical, exciting theatre company in Russia…

FROM Mike Layward, Artistic Director, DASH In your article ‘ACE grapples with equality’ (p1, AP236), I would challenge…

In your article about the latest Taking Part figures (AP235, pp1–2) you say the seven English audience agencies “faile…

Organisations’ shortcomings contribute to Arts Council England dilemmas over funding diversity

We’ve heard lots about the importance of ‘frontline’ organisations recently, but very little about the organisat…

The front page of the VAGA website is emitting a sadly repetitive mantra: A Foundation closed; Ikon Eastside to close; Animate Pro…

Proposed cuts were not fully assessed for gender, disability and race equality impacts, judicial review finds

Are there any legal sticking points that arts organisations need to be aware of if they cater exclusively to women? Keith Arrowsmi…

WEB EXCLUSIVE CASE STUDY: Are there any legal sticking points that arts organisations need to be aware of if they cater exclusivel…

In the wake of the Spending Review, Arts Council England’s (ACE) grant in aid budget for 2011/12 to 2014/15 will be set at &…

Women are sorely under-represented and underpaid across the creative and cultural industries, according to a damning new report by…

Philanthropy can only supplement arts funding, not be a substitute for it. And so Arts & Business looks to confirm in its new…

Uzma Hameed thinks there is more to reflecting cultural diversity than recreating cultural conformity.