All hands on deck
The Art Fund’s crowdfunding platform has given artists the chance to realise their dreams, but to make it happen requires ha…
The Art Fund’s crowdfunding platform has given artists the chance to realise their dreams, but to make it happen requires ha…
Red Ladder’s #GisATenner campaign appealed to the company’s Twitter followers to donate as little as £10 to help…
To make a fundraising project stand out from the crowd you need to create a powerful and engaging supporter experience. Bernard Ro…
A £250k scheme backed by the DCMS will offer match funding to artists and heritage organisations.
Almost 50 new approaches to finance, collaboration and fundraising have been put forward in the Birmingham Cultural Investment Enq…
While match funding can be a “brilliant booster” for charitable fundraising, it must not be relied on as a silver bull…
Following revelations that BP influenced curatorial decisions at the British Museum, Chris Garrard examines how arts organisations…
Charities are invited to weigh in on discussions on how best to fund the new Regulator ahead of its launch next month.
To engage visitors, a museum must start by cultivating dialogue between its staff members, says Corinne Estrada.
Last year Youth Music more than doubled its fundraising income, exceeding its already ambitious target. Emma Holenstein reveals ho…
The Hepworth Wakefield is blessed with many great pieces of modern British art, but a priority is to grow its collection. Simon Wa…
How best can we serve the professional development needs of senior fundraisers? Amanda Rigali asked some development specialists w…
A fundraising audit can help unlock your organisation’s potential. Wendy Smithers explains exactly how to conduct one.
Fundraising efforts to stimulate legacy giving appear to be bearing fruit as more people are mentioning cultural charities in thei…
Mystery surrounds the festival’s closure, which comes just months after the organisation was recruiting for a new director a…
Festivals may no longer benefit from regular funding streams, but Owen McNeir is optimistic that they can still thrive on a mixed-…
Over £400k has to be raised every year to stage the Ageas Salisbury International Arts Festival. How do they do it? Toby Smi…
Encouraging individual giving may not make financial sense, but it’s helped Unfolding Theatre build invaluable relationships…
From engineering to managing cream teas at the National Trust and now fundraising for Cheltenham Festivals, Rod Hebden tells us ab…
Audiences and rural promoters are the life-blood of Northumberland Theatre Company. Gillian Hambleton reveals how the company harn…
Cultural organisations in receipt of local authority funding are bracing for cuts, but the sector remains optimistic about its fin…
For small arts companies, it’s a fiercely competitive time to be applying for funding from trusts and foundations. Anni…
What kind of person makes a good fundraiser? Amanda Rigali answers your questions and reveals why it’s never been a bet…
What will the next 12 months bring for the arts and cultural sector? The Audience Agency team share their predictions for what lie…