An overwhelming lack of ownership among the UK’s independent music venues puts the future of the ecosystem at risk, advocate…

Why are women so under-represented in certain areas of classical music? Katherine Cooper thinks enduring stereotypes about women&r…

While concert revenues and artists payments decline, PRS for Music records substantial growth from online royalties. 

An absence of ringfenced funding for grassroots venues and promoters will likely lead to further closures, musicians say.

It has never been more important to recognise the value of music-making and the UK music industry as a national asset. Helena Gaun…

Performers are increasingly losing their jobs, faces and voices to artificial intelligence, a new report claims. What can be done…

Recommendations in a new study include a Power of Music Commissioner, a cross-governmental taskforce and music education modules f…

Charles Hazlewood is on a mission to disrupt the traditional model of orchestral music and bring the excitement into the streets.

By the middle of last year "geography was no longer an issue" for inspiring audiences, but broader challenges remain.

Almost all music teachers agree the government should consult them on the much-anticipated refreshed National Plan for Music Educa…

The service aims to address a gap in support for freelance workers who lack recourse to HR departments.

Struggling with the elitist nature of the concert hall, Matthew Whiteside decided it was time to bring contemporary classical musi…

Covid and Brexit combined have meant a tough two years for UK orchestras but, as Mark Pemberton explains, signs of a bounce back a…