Listening and learning
The RSC’s Open Stages project has brought professional theatre companies and amateur theatre-makers together. Kelly Donaldso…
The RSC’s Open Stages project has brought professional theatre companies and amateur theatre-makers together. Kelly Donaldso…
A government consultation has resulted in revised proposals that will see more art forms and smaller companies eligible for tax re…
Alan Cleaver responds to ArtsProfessional's revelation that Arts Council England used more than £10m of spare capital fu…
Chris Taylor charts her career from a drama youth worker to Director of New Writing South.
As the first arts venue to be awarded a 3* Industry Green rating, the Lyric Hammersmith is a model of best practice. Kim M Grant d…
Tim Atkinson reminds us why we need to reduce our energy use and reports on the energy-saving improvements made at the Palace Thea…
Bethany McDonald Shepherd believes that students must develop their business knowledge and practice, and the Commercial Education…
Are you up to the challenge? Vicky Prior says there’s much to learn from Max Stafford-Clark’s journal from the years f…
Louisa Davies asks if England’s funding structures are hampering the development of our emerging artists.
How do you start out as a theatre director? Lisa Spirling describes a regional programme which nurtures visionary, young directors…
Part of the Brighton Festival, 'caravan showcase' presents contemporary English theatre to international programmers. Cath…
Sean Egan takes a long-term view of the proposed theatre tax relief, suggesting how it could benefit subsidised and commercial the…
The arts are a vital asset in the fight against the damaging effects of homelessness, the Greater Manchester Police and Crime Comm…
A three-year theatre residency at a secure clinic for forensic psychiatry patients is benefiting not just patients but carers and…
Writer, consultant and director Maria Oshodi shares the steps of her career path.
On an arts programme secondment with the British Council in Ukraine, Liz Pugh has been witness to the turbulent geopolitics of the…
Can our theatres be considered as ‘community theatres’ and be listed as Assets of Community Value? Mhora Samuel discus…
A Government consultation is seeking to formalise the details of a proposed corporation tax relief for theatre productions, announ…
How does a tiny Georgian theatre survive in a working class town? Esther Harris talks to Richard Stride, owner of the Groundlings…
An innovative apprenticeship scheme has won Telford & Wrekin Council the title of Creative & Cultural Employer of the Year…
Cultural investment in Salford’s regeneration may have created The Lowry, but its impact comes from a distinctive, entr…
Jim Beirne describes how Newcastle’s Live Theatre has created a portfolio of creative enterprises to support the theatre'…
Jonothan Neelands warns that although creativity and cultural vibrancy are part of our shared DNA, the flourishing Creative Indust…
Beatrice Pembroke sees a new role for old institutions in a changing world that needs fresh thinking in new spaces – spaces…