£3.3m will be invested in the city’s visual arts by 2022 after Arnolfini and Situations were dropped from the national…

The gallery will hold regular ‘Autism Hours’ with dimmed lights, reduced noise and break-out spaces available.

A provocation paper commissioned by Bluecoat arts centre is the focus of an attempt to create new entry points into artistic leade…

Noticing that families were under-represented in their audiences, art galleries in the North of England decided to take a collabor…

House of Illustration puts on ten exhibitions and turns over £1m every year – all without public funding. Colin McKenz…

Ensuring policy makers and commissioners value artists and art equally is at the heart of a-n’s new five-year strategy.

A new study looking at the benefits of visual art activities for people living with dementia should provide the evidence that deci…

Preston’s Harris Museum and Art Gallery needs ‘re-imagining’ and who better to do it than the young people who w…

Tate’s Circuit programme for young people has helped promote wider organisational understanding of the value of young people…

From FACT to Castelfield Gallery, Helen Wewiora takes us through the steps of her career in contemporary art. 

The gender divide amongst artists exhibited and sold is not inevitable, and new research into Artfinder’s online community p…

Inspired by theatres, Bristol’s museums and galleries decided to try out a ‘pay what you think’ model for exhibi…

Eleni Duke found galleries intimidating, silent and unwelcoming, so she decided to open her own where everyone was welcome. She sh…

“Be brave and go for it”, artist and gallery founder Lynette Gray advises those starting their careers.

The new Executive Director of Protein Dance, Franck Bordese, looks back on his career championing cross-artforms and engagement wo…

What are the dynamics when a group of artists with and without learning disabilities work together? Emma Bosworth discusses the po…

A series of portrait-painting events exploring and celebrating diversity engaged both live and online audiences. Mandy Fowler expl…

What rights do artists have when their work is exhibited without their permission? Eleni Polycarpou considers the controversy surr…

Don’t worry about rejection, and stay in touch with people who have successfully applied for funding, advises contemporary a…

Facebook Live has helped The National Gallery get closer to a worldwide audience. Tamara El Assawi shares what they’ve learn…

Although visits by UK nationals have held steady, visitor numbers from overseas have fallen despite an overall increase in tourism…

Many great public art collections were founded upon the bequests of private collectors, but how can galleries engage the collector…

Firmly held core values and an awareness of potentially excluding behaviour have been key to the success of Pallant House Gallery&…

Revitalising derelict railway buildings could provide a solution to the shortage of studio and creative workspace in the East of E…