'Concrete Inferno' by The World Famous at the National Theatre's Watch This Space Festival, 2012
Photo: Ludovic des Cognets, National Theatre
Walls, doors and thresholds
Angus MacKechnie explores our complicated relationship with cultural buildings. Is it time for a change of attitude?
It feels like there’s a big downer on cultural buildings. The notion of constructing something for culture that has walls and doors and requires people to cross a threshold, is deeply unfashiona...
Subscribe to read more
Get unlimited access to the latest news, features and opinion from the arts, culture and heritage sectors
Already subscribed? Log in
Usually have access through your university?
Join the Discussion
You must be logged in to post a comment.