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Artists are not properly paid even in times of relatively abundant funding, says Dr Susan Jones. So how can Labour and the sector address this issue of long-term resilience?

The com­bi­na­tion of pan­dem­ic impacts on the pub­lic sec­tor and high cost of liv­ing means that while every effort has been made to pro­tect and sta­bilise arts insti­tu­tions and staffers as any of a ver­i­ta­ble glo­ry of sur­veys of artists — includ­ing Industria’s expose — con­clude, artists’ social and eco­nom­ic sta­tus is in sys­tem­at­ic decline.

And as new pub­lished plans from the Labour Par­ty and Con­tem­po­rary Visu­al Arts Net­work (CVAN) reveal, respon­si­bil­i­ty for flour­ish­ing sus­tain­able futures for prac­ti­tion­ers is des­tined to remain firm­ly out of artists’ own hands

The UK government’s neo-lib­er­al busi­ness mod­el under­pin­ning the arts since the Mil­len­ni­um — the most extreme ​‘by far’ with­in Europe accord­ing to research by Alexan­der & Peter­son — runs in direct oppo­si­tion to social objec­tives to achieve human well-being, envi­ron­men­tal sus­tain­abil­i­ty and equi­ty has con­sis­tent­ly under­mined artists’ liveli­hoods... Keep reading on Padwick Jones Arts.